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Reformatted version, March 29 Caption files. Public Meeting. Boston City Council.

Reformatted version, March 29 Caption files. Public Meeting. Boston City Council.
Welcome to our weekly Boston city council meeting. Madam clerk would you please call the roll to ascertain the presence of a quorum. Councilor Essaibi-george, Councilor Linehan, Councilor Lamattina Councillor Mccarthy, Councilor O'Malley, Councilor Pressley, Councilor Wu, and Councillor Zakim. Madam president.
Thank you very much. At this point I'd like to ask all councilors and guests to please rise as we will hear our faith leader and after the invocation please remain staj for the pledge of allegiance.
We all know very well that's pastor igor raziti, senior pastor of empowerment church without walls, focused on building ul people. Before launching ecc on resurrection day, 2010 pastor served on the ministerial staff for 12 years. Alongside his faith service which many of us know him personally and professionally, a number of his community initiatives involve having been a candidate for Boston city council, as well as being appointed by mayor walsh as fair housing commissioner, and he lost his mother back in 2005, advocate for domestic violence, one of his life's mission to stand against evil and senseless violence. Warm welcome and looking forward to a rear from pastor razitti this morning.
I know we are in the owner can we put our hands together and give god thanks, I ax so honored to be here thank you Councilor Flaherty. Father in the name of jeefs as we pray, I speak life and love over this body. God pay everything that is done be done to your glory. My prayer today is that you would lead and guide in every way, lead by your wisdom. Lead by your love. God, I thank you or the these public servants, who have made themselves available and who sacrificed much of their personal lives to represent the people in their districts. Bless hem. May they not see the -- may they thought miss the business picture. May they focus on that. And may everything that is said and done today be meant to glorify people, build up families, strengthen those that are the least and the lost and the left out among us. Thank you so much for them, thank you god for this work that this body does. Bless it, in jesus name, amen.
[ pledge of allegiance ]
Thank you, Councilor Flaherty and thank you pastor. We'll start with approval of the minutes from last meeting. Are there any changes or amendments to those minutes? Seeing and hearing none the minutes stand approved. And madam clerk if we could start with communications from his honor the mayor. Docket Number 0464 message and order authorizing the city of Boston to submit to the Massachusetts school building authority the statement of interest dated march 23, 2017 for the carter school located at 396 northampton street, Boston, mass.
Docket 0464 will be assigned to the committee of ways and means. F if you could read the rest of the matters on this area.
Yes. Docket Number 0465 message and order for the confirmation of the appointment of marie st. Fleur as a member of the board of appeal for a term expiring july 1, 2018. Docket Number 0466 message and order for the confirmation of the reappointment of anthony pisani as a member of the board of appeal for a term expiring july 1, 2018. Docket Number 0467 message and order for the confirmation of the reappointment of bruce bickerstaff as a member of the board of appeal for a term expiring july 1, 2018. Docket Number 0468 message and order for the confirmation of the reappointment of eugene kelly as a member of the board of appeal for a term expiring july 1, 2018. Docket Number 0469 message and order for the confirmation of the reappointment of kerry walsh logue as a member of the board of appeal for a term expiring november 1, 2019. Docket Number 0470 message and order for the confirmation of the reappointment of tyrone kindell, jr. As a member of the board of appeal for a term expiring october 1, 2019. Docket Number 0471 message and order for the confirmation of the reappointment of mark fortune as a member of the board of appeal for a term expiring june 1, 2018. Docket Number 0472 message and order for the confirmation of the reappointment of mark erlich as a member of the board of appeal for a term expiring september 1, 2019.
Thank you, doblght number 0465 through 0472 will be assigned tout committee on reports and others. And could you please mark Councilor Campbell as being here.
Thank you madam president. Docket Number 0473 notice was received from mayor of the reappointment of gary l. Saunders, as a member of the Boston groundwater trust for a term expiring march 20, 2019. Docket Number 0474 notice was received from mayor of the reappointment of tim ian mitchell, as a member of the Boston groundwater trust for a term expiring march 20, 2019. Docket Number 0475 notice was received from mayor of the reappointment of peter j. Shilland, as a member of the Boston groundwater trust for a term expiring march 20, 2019. Docket Number 0476 notice was received from mayor of the reappointment of aaron michlewitz, as a member of the Boston groundwater trust for a term expiring march 20, 2019. Docket Number 0477 notice was received from mayor of the reappointment of greg galer, as a member of the Boston groundwater trust for a term expiring march 21, 2019. Docket Number 0478 notice was received from mayor of the reappointment of lisa soli, as a member of the Boston groundwater trust for a term expiring march 1, 2019. Docket Number 0479 notice was received from mayor of the appointment of hanah fadrigalan, as a member of the Boston cultural council for a term expiring october 1, 2019. Docket Number 0480 notice was received from mayor of the appointment of patricia mcsweeney, as a member of the Boston cultural council for a term expiring october 1, 2019. Docket Number 0481 notice was received from mayor of the appointment of anne herdst, as a member of the Boston conservation commission for a term expiring november 1, 2019.
Dockets number 0473 through 0481 will be placed on file. Matters recently heard for possible action.
Docket Number 0132 ordinance regarding the reduction of plastic bags in Boston.
Chairs recognizes the chair on the committee for government action, Councilor Flaherty.
This past monday march tweivet 27th, regarding the reduction of plastic bags, the matter was assigned to the committee in 2016 and was reintroduced january 11th of 2017. In attendance was carl specter and susan casino director of recycling. Additionally we had experts in both fields, environmental workforce, expressing their views on the matter, including some of the topics discussed was how the retail industry would be impact ed. How seniors would be impacted and how the legislation would work here in Boston compared to how it's working in other cities and towns. Defer to lead sponsor if he chooses to speak but would like to keep this matter in committee until further notice. Thank you madam president.
Thank you Councilor Flaherty. You are recognized to be heard.
I thought it was an important working session on monday and six or 7 of you participated on staff and virtually everyone was there. Council president you have set the tone and having as robust and public a process as possible, I want to thank my staff who has put many meeting minutes up online after each meeting, we'll continue to do so. There was particularly compelling testimony from an 11-year-old girl representing the Dorchester girl scouts, ask that echo the call to remain in committee and look at having a bill that we can vote and hopefully pass unanimously on this body. Thank you.
Thank you Councilor O'Malley. Docket will remain on the committee for government regulations.
Docket Number 0134 order for a hearing to review and discuss the fy18 Boston public schools' special education budget and identify solutions to ensure equitable transitions of bps youth.
Chair recognizes the chair of the committee on education Councilor Jackson.
Thank you so much, madam president. This is the fourth hearing of its kind and I want to thank Councilor Pressley for her leern in this space many Councilor Pressley was obviously present, Councilor Essaibi-george and Councilor O'Malley was present for an informative hearing. I want to turn it over to the lead sponsor so she can give her indepth input on this matter. Thank you so much.
Thank you Councilor Jackson. Councilor Pressley you have the floor.
Thank you madam president I'll be actually pretty su singt today but we will be producing a more complete committee report on this. As the chair referenced this is fourth hearing that I've sponsored in this space relative to ensuring equitable insurance that our students sever services in this space, postsecondary into workforce and into self sufficient independent lives. I have used this quote a lot, thanks to the partnership and the advocacy of spedpac, mass advocates for children, carolyn from spedpac, said inclusion is more than a seat at the table, it is an experience. We're going to continue to be vigilant to ensure it is a good experience for our students receiving special education services. A couple of stats to share many 4115 transition age stoournlts enrolled, 4115. The graduation rates for students with disabilities have been steadily rising. Which is encouraging news. However, the postsecondary enrollment for students with disabilities has been relatively stagnant. We continue to be more focused on these statistics and we have seen a rise in fiscal investment and transition services. And so we just want to continue to make sure that those dollars are being leveraged effectively to ensure a more quibble transition. So moving in the right direction, again I want to thank spedpac mass advocates for children and bps for being intentional advocates in this space. We are a lot less defensive and acknowledging where there have been deficits and where we need too improve, and we've seen that happen, basedden the vendors and the new contract of services of folks that are coming on board. We're encouraged in the direction we're moving in and more work to be done. When we've done that there will be a report.
Thank you, Councilor Pressley. Councilor Essaibi-george you have the floor.
Thank you to the maker for holding this hearing. It's the second I've participated in and for me it was a little bit of an anniversary sort of hitting that hearing, was very important for me. I asked during the hearing those that were on the panel, what was the model school in bps that worked on transition the best. And the answer from carolyn from spedpac is we don't have one. I think it's really important to celebrate that we're recognizing as a district that we're not doing this work, we don't have a model, that's why we brought in great partners to help us with this work and that we're going to work towards going-becoming a leading district. I want to say as much as that was disappointing to hear it was positive that we recognize that, as a district, and incredibly promising that we know that we weren't able to do the work so we brought in the right partners to help us with that. So I think contrary to what I say about bps, I'm excited about sort of the future and this hearing continuing through the years and to understand the progress, and to get to a point where we can point to not just one program in bps but transitional services, but that all of our transitional programs are doing them incredible and they're the model and they're the schools that are visited from outside districts. Thank you.
Thank you, Councilor Essaibi-george. Docket Number 0134 will remain on the committee on education.
Docket Number 0199 order that the committee on healthy women, families and communities will host a series of policy briefings related to key topics in early education and childcare.
Chair recognizes the chair of the committee on health women's children and neams. Councilor Pressley.
Thank you, and I want to thank again Councilor Wu for initiating, coming up with the spirit of this idea. It's been wonderful to work with all of my colleagues on this issue. I want to thank Councilor Wu, Councilor Essaibi-george, Councilor Campbell for their input last night. Last night was specifically focused on support for community based providers of community support and care. Little over three hour hearing, very informative and very compelling, we had a panel of four amazing experts, ann douglas from the institute of early education and notification, and sahari craft founding executive director of smart from the start, and vital village network at Boston medical center and I'm still honestly digesting the hearing because there was a lot of information that came out of it but just the big things that I think are important to reiterate here is there is no debate about what we all want and that is for childcare to be accessible, to be affordable and to be quality. And in order for this care to be quality, we have to invest in this workforce. This is a workforce that is not been invested in. It has not been professionally developed. It is not being compensated according to the very important work that they are charged with doing. They are charged wet welfare the well-being and the welfare of our children and we know that that foundation is a predictor and indicator for everything else, every mitigation of aspects of and health outcomes it all starts right here. So one of the things that came up throughout the hearing is we certainly do want to commend the mayor for expanding prek, not only are we struggling to meet the demand for early education and care to stabilize our families to grow our workforce and our economy but we are at a deficit when it comes to care for children zero to 3. Kids don't spontaneously come spontaneously combustand end at age 4. There is a lot of talk about need for data and suppose that the city of Boston be the clearinghouse for this data because we know best how to leverage that data and where to push for these types of investments. Just to share with you the contrast and the disparities, early childhood care and providers are making 21 to $27,000 annually. And our Boston public school district those educators in contrast are starting at $40,000. These are people that we are charging with the development of our children. So they have got to be respected, we need to approach them and challenge this deficit thinking and have an asset-based approach because they are assets. Not only because the work that they do is critical, to developing the best foundation and launching pad for our children, let us not forget that they are small businesses. They are startups. They are entrepreneurs, and so we need to treat them as such. So I'm very excited and appreciative of the cooperation of all of my colleagues in this space. And looking forward to making the investment in this workforce, in this industry that we know will yield the greatest return on investment. And that is more quality care or the our children and a better future for all of us. So thank you. Fest.
Thank you, Councilor Pressley. Anyone else like to speak on that? Docket 0199 will remain on the committee on healthy women families and communities. Motions orders and resolutions.
Docket Number 0482. Councilor Jackson offered the following: order for a hearing to address recovery service beds at the southampton street shelter.
Councilor Jackson you have the floor.
Thank you so much, madam president. This is a very important topic and issue and I just want to be clear that this is the loss of 40 beds and the reason why it's the loss of 40 beds is yes the city is saying at a they're repurposing these beds for emergency shelters. But the south hampton sherl was the only dedicated recovery shelter that accommodated hiv-positive patients. I think that's critical. We know there are over 300 hiv-positive homeless residents in the city of Boston. So those repurpose beds are for emergency shelters, which means those folks are coming on a day by day by day basis and we know that people do better in supportive services and we know that outcomes are much better in supportive services. These are the most vulnerable people in our city and we must do better. This body voted and approved a budget, an operations budget last year that included a $15 million infusion of dollars to the morgan avenue bridge, $15 million on a bridge that could have came from a capital budget but came from the operations budget. The administration knew for two years that these funds were going to be cut. This should not have happened abruptly, there is no surprise here, and what does this happen to the individuals that are being supported here, it puts the most vulnerable individuals in our city into flux. And so I think it's really critical that we look at how we restore these services, listen to the advocates, listen to the patients who are being served here. This is a potential public health crisis, and it's something that we need to roll our sleeves up and really think about. First long island, now this. We dmolt allow the Boston public health commission to put us into a situation where they're making decisions abruptly with the most vulnerable individuals in the intoft. I look for an expedited hearing and I look to hear the voices that are not being heard with the communication that has come out. Thank you so much, madam president.
Thank you Councilor Jackson. Councilor Essaibi-george, you have the floor.
Thank you madam president and thank you to the maker. Councilor Jackson consistently speaks out on behalf of the city's most vulnerable urging us to do better and do more. And that is certainly what we need. Hoaxlessness is a tough and persistent foe, our state and city governments have been battling it for decades. We know this is a crisis for individuals and families and one thing we also agree on is the permanent solution to homelessness is housing, shelters is not the solution, they are a stopgap for people in crisis. What people really need is permanent supportive housing. In recognition of this fact the funding landscape has been changing. Hud is shifting its sights to a rapid rehousing model that helps people stay stable in their own homes. That's what we're doing in Boston. The safe harbor program has used hud funds for 40 transitional beds for the last 25 years. In 2013 when the bridge to long island was deemed too dangerous to use the program was relocated to southampton street shelter. The Boston public health commission is currently creating individual plans for each guest impacted by this change and is working to stabilize each individual into permanent housing. Fest rapid rehousing is a proven model that creates long term stability. Stability rather than continued crisis. Fest we are working to move people experiencing homelessness into their own homes. Many people for the first time in many, many years. Just imagine what that would be like. I look forward to continuing to work with my colleagues on the council and in the field to help more people move into real homes and safe and supportive environments. I hope that this be assigned to the committee I chair on homelessness mental health and recovery. We hope to expedite a hearing to support the continued work of rapid rehousing. Thank you.
Thank you Councilor Essaibi-george. Anyone else like to speak on this docket? Docket 0482, will be assigned to the committee on homelessness melt health and recovery. Could you add Councilor Essaibi-george to the Docket 0482, please add Councilor Campbell, Councillor Mccarthy, Councillor Ciommo, Councillor Zakim, Councilor O'Malley, please add the chair's name, Councilor Baker. Okay and again Docket 0482 will be assigned to the committee on homelessness mental health and recovery.
Docket Number 0483 councilors wu and pressley offered the following: order for a hearing regarding the fenway cultural district.
Chair recognizes the lead sponsor Councilor Wu.
Mr. President, I'm going to defer to our colleagues who know this particular issue best because she's been advocating for a long long time. But essentially the outline of the hearing order is that the fenway cultural district which has received tremendous success in Boston really been a landmark and history-making district in so many ways is up for renewal after their five years. So I'll defer to her but before then I'd like to make a motion to suspend rule 12 and add Councillor Zakim and Councilor Jackson as co-sponsors.
Are there any objections? Seeing no objection we'll add Councillor Zakim and Councilor Jackson.
Thank you Mr. Vment.
Chair recognizes Councilor Pressley.
Thank you, council president wu and Councillor Zakim, I would also like to thank, I'm sure he's watching former city Councillor Michael ross, with Councilor Jackson and myself back in 2011, I don't know if kelly was here, hopefully she is watching too, are from the fenway alliance. I would like to express my thanks for the role she played in getting this district created and ensuring the success of the district. As Councilor Wu alluded to the Massachusetts cultural council acquired the district, to be reauthorized five years after they were first created. This affords us an opportunity to make a quick look back and to celebrate the wonderful things that have happened in this district over the last five years. I should also say they were sort of the pioneers in Boston not in the commonwealth but districts designatebut the fenway was the very first cultural district designated for Boston. Now with the support of everyone, we have a second one being created. Hope there will be many more to come. As far as the fenway is concerned, based on the research brought together by the fenway alliance, the fenway institution he bring more than 4 million visit oorgs to the fenway cultural district each year and they employ over 20,000 people and they educate more than 60,000 students and this cultural district has really been a catalyst for the city being able to successfully preserve institutions sich as the huntington theater slated to carlos last year, and public by design, to highlight the district and artists abroad and at home. And last year this public by design, they were able to partner the medicine wheel, it was a public installation with an internationally known artist from ireland, our very own michael doweling. Close to the annualed the x fenway, wide range of topics, and this is only the tip of the iceberg of what they've been able to accomplish in five years and I look forward to learning even more and to seeing even more in hope that we can support this reauthorization in the affirmative. Again I think all of my colleagues for their partnership this this endeavor and congratulations to the fenway cultural district.
Thank you, Councilor Pressley. Chair recognizes Councillor Zakim.
Mr. Vice president I want to thank council president wu, Councilor Pressley, and Councilor Jackson. Including this hearing order I just want to echo the words of my good colleagues that this has been a huge positive impact in the fenway neighborhood for residents for visitors alike for people in Boston, outside of Boston, contribute to our economy the vibrant culture and the thriving community we have here in the city of Boston. I obviously hope we will move swiftly on this, for the benefits of becoming a cultural district.
Chair recognizes Councilor Jackson.
Thank you so much, Mr. Chair. I just wanted to note the greatest part of about this whole process is looking at the riches that we have in the city of Boston, and so the coolest part about sitting through these meetings is just looking and connecting with all of the people, institutions and wealth and commonwealth that we have in the city of Boston, and I want to give kudos on the literary district and I'm really looking forward to the approval of a roxbury cultural district also. And I would say to all of my trends on the council, and particularly the district councilors it's an amazing process going through this because it actually really does provide the connective tissue, have everyone sit down and as Councilor Pressley brought up earlier, thinking of assets rather than deficits. And connecting folks and bringing people often the same page in the same room. So I really look forward to having a third but also renewing this one. I believe if I'm not mistaken this was the first.
Right.
So I think it's also notable that Boston again was first in -- when it came to cultural districts in the whole state of Massachusetts. Thank you so much Mr. President.
Thank you Councilor Jackson. Ill you please add Councilor Flaherty madam clerk, also add Councilor Campbell, Councillor Ciommo, Councilor Es essaibi-george, Councilor Lamattina, Councilor Linehan, Councillor Mccarthy, Councilor O'Malley and add my name madam clerk. With that Docket 0482 will be assigned to arts culture and special events.
Docket Number 0484 Councilor Wu offered the following: order that the city council hold biannual urban renewal progress update hearings until 2022.
This one is just a quick refile on behalf of the entire council, following our urban renewal imream that we voted on with the bra and as part of that agreement as you all know the council has six months oversight meetings with the bra, this will be the second that Councilor Linehan will host but because our dockets were cleared at the end of last calendar year this is just a refile to get it back into the system. Any comments or questions on that one? Great disoblght 0484 will be assigned to the committee on planning and development. I'm informed by the court there are no late filed matters today to add. So we'll move to the green sheets. Would anyone like to pull a matter from the green sheets? Councillor Ciommo you have the floor.
Thank you, madam president Docket 0388 on page 2 asigned for further action and also on page 7 of 7 for the detail.
Thank you, madam clerk could you please read that into record.
Wheat of ways and means Docket Number 0388 sponsored by the mayor, message and order approving appropriation ef 9,202,101, for replacement of boiler, Boston latin school, partial boiler replacement, john condon, roof replacement, roof replacement and the william e. Chaning middle school,est incident and related thereto for which the city of Boston may be eligible from a grant, to be expended under the direction of the public facilities department on behalf of the public schools Boston public schools and it was referred to committee on march 8th, 2017, had its first reading on march 15, 2013 and is assigned for further action.
Thank you, madam clerk, Docket 0388 brought forward by our chairman of ways and means and read into the record is now properly before the council.
Thank you. This is a mass building authority accelerated repair program project, which the city will recover approximately 65% for this $9 million appropriation will enable us to get reimbursed for a little under $6 million. The work will take place over the summer months and not disrupt the start of school in september so I ask for support and a positive vote for the second reading. Thank you.
Thank you, Councillor Ciommo, would anyone else like to comment? Okay at this time Councillor Ciommo moves for second reading of Docket Number 0388. Madam clerk could you please poll the council?
Thank you, madam president. Councilor Baker, yes, Councilor Campbell, Councilor Campbell yes, Councillor Ciommo, Councillor Ciommo yes, Councilor Essaibi-george, Councilor Essaibi-george yes, Councilor Flaherty, Councilor Flaherty yes, Councilor Jackson, Councilor Jackson yes. Councilor Lamattina, Councilor Lamattina yes, Councilor Linehan, Councilor Linehan yes, Councillor Mccarthy, Councillor Mccarthy yes, Councilor O'Malley, Councilor O'Malley yes. Councilor Pressley, Councilor Pressley yes, Councilor Wu, Councilor Wu yes. And Councillor Zakim, Councillor Zakim yes. Madam president, Docket Number 0388 has received a unanimous second reading.
Thank you madam clerk, Docket Number 0388 has received a unanimous second reading and has been passed. Any other takers for the green sheets? Okay. We'll move on to any announcements or statements. Councilor Jackson, you have the floor.
Thank you so much madam president consent to make a brief statement. Unanimous consent. So I just wanted to note and I didn't hit my button fast en enough. Rapid rehousing doesn't work for individuals who are addicted because you must and need to take care of that addiction. I believe prior. So I think it's really important that we continue to have these supportive housing services that wrap around in the city of Boston, so I think that should be one of the things that we think about. And so we face many individuals who have been placed in housing and then actually were tossed out of their housing losing their voucher and not able to apply until several years after. I think it's really critical that the city of Boston knowledgeably and thoughtfully take care of this very vulnerable population in particular with the only beds that help and serve hiv-positive patients in the city of Boston. We know that there's only 40 beds here and we know there are over 300 individuals who have hiv who are homeless in the city of Boston and that is our charge, to be able to take care of those patients. Thank you madam president.
Thank you Councilor Jackson. Councilor Pressley for what purpose do you rise?
Thank you madam president. One of the hardest things about this work is that change in life is northwest of inevitable but that doesn't make it easy. I would like to rise to celebrate the contributions of a member of my a team, james southern lin. Lyn. Rooney I'm coming for you, that he's -- but in all seriousness it has been incredible to see to have him a part of our team and to see his growth and development, james started with an intern with us at emanuel college and in seven years time he has gone from being an intern to being a neighborhood liaison, to being our liaison in all development issues, to our research director, he originally was a student at emanuel and recently, now has the title of dr. Southerlin having received his ph.d. At northeastern university, daring that committee to say no. He is decent and brilliant and we will miss him terribly. We are so proud of him. And I got to say good luck to our softball team guys because he was our pitcher and our ringer. I don't know where we go from here. I want to say congratulations to bay village residents, lifetime a team member dr. James southerlin and we will miss you, thank you. [applause] ftc
Councilor Essaibi-george for what purpose do you rise?
I want to respond to Councilor Jackson's comments about rapid rehousing. Most of my comments focused on rapid rehousing and for no moment in time are we to misread rapid rehousing, it is to its core what rapt rehousing what it's all about. Not only are we responding to the needs of the homeless individuals but also their specific needs and case. I look forward to an expedited hearing where we will talk about this no doubt but it's incredibly important to note the answer to homelessness is creating permanent homes. Not increasing -- well increasing opportunities for emergency shelter no doubt but we have too many individuals and too many families who have spent too many nights in shelter. They need housing, and that's what we need to work towards as a city, thank you.
Thank you, Councilor Essaibi-george. So I just -- I appreciate the spillover of passion from the Docket Numbers but at this procedure I want to remind you all that this time is not space for going back and reviewing the various dockets. So both the order of the council but also for confusion of viewers. So I did want to allows the second, just because we already started down this path but Councilor Linehan if you are pressing to talk about rapid rehousing I'm going to --
But they were both out of order and that is not the time and the place for this and I appreciate the comments that you made. That you know, this is a special moment in our agenda where you have an opportunity to say something on behalf of the council that was not previously discussed, nor a omatter on the docket, so thank you.
Thank you Mr. Former president for that reminder. Again my faults are not pausing long enough on the previous docket and just a reminder in the future. I will insert a requirement that is not related to any other docket. Just a note I will send an e-mail out but we are still making progress on the council accessibility project of lifting up the floor so we will no longer need to create issues for folks with mobility challenges. The next meeting is monday april 3rd right they chamber at 11:30. You all are welcome, please come, we will be talking about design and bid schedule which to my knowledge is still on schedule to happen this summer. Please come and/or send a rep. Anyone else? Okay great, at this time, oh apologize there are two late file matters for the consent agenda which needs to adopted, chair moves consent agenda adoption, all in favor, say aye, opposed, say nay. Please rise. Today the council will adjourn the meeting in memory of the following individuals, for Councilor Essaibi-george, hattie mckay. For Councilor Lamattina, saccary joshua holmes. For Councilor Linehan, leo cody. For Councillor Mccarthy, tim o'sullivan. For Councilor Pressley, tracy benton whit li. Kathleen lennon and gloria el ma samuel thomas. For Councillor Zakim, leonidas papas. A moment of silence, please.
[ moment of silence ]
Thank you, chair moves that when the council adjourns today we do so in memory of the aforementioned individuals. We will meet wednesday april 5th, 12:00 noon. All in favor say aye, opposed nay, council is adjourned.
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[US Promotion] I would like to celebrate Thanksgiving by gifting you all books!

UPDATE: More books added by siffis and West1234567890 further down
If are late coming across this post then do not worry you can still message me your email for a book.
To celebrate my day off today and Thanksgiving tomorrow I would like to gift my audiobooks.
In order to recieve a free audiobook gift just message me any title (below) along with your email address. If you have not recieved a gift before then you will get the audiobook for free. More details here and here. I am in the US market (but I hear from Canada and UK that it still works).
Books crossed out are not available.
TITLE - AUTHOR (Ordered by author)

siffis has generously offered to include his collection. If you like any of the books below then message directly.

West1234567890 [Also added additional books below](https://www.reddit.com/audible/comments/k0s76n/us_promotion_i_would_like_to_celebrate/gdlwylu?utm_source=share&utm_medium=web2x&context=3).
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Strongest single year Oscar categories

I recently rewatched Sense and Sensibility and was curious as to how Emma Thompson didn't win Best Actress that year. Then I looked and... Holy shit!
Susan Sarandon- Dead Man Walking Elisabeth Shue- Leaving Las Vegas Sharon Stone- Casino Meryl Streep- The Bridges of Madison County Emma Thompson- Sense and Sensibility
I feel like it's rare to have a category in any given year where there's arguably no bad choice. Curious if anyone has any other specific category from any year that is this stacked. Could be Picture, director, or acting.
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The Bollywood film ‘Dhoom’ (2004), misinterpreted as an action thriller, is in fact a rigorous allegorical analysis of economic policies, particularly in the Indian context in the early ‘00s.

Spoilers ahead.
Connoisseurs of film are undoubtedly well-aware of La Nouvelle Vague, aka, the ‘New Wave’—an experimental movement in filmmaking with its origins in the French cinema of the 1950s, with an emphasis on exploration of personal themes such as existentialism, iconoclasm and absurdism. Although the ‘New Wave’ is considered to have met its chronological end in the late 1960s, to be followed by successive movements like ‘New Hollywood’, ‘Cinema Novo’ and ‘Dogme 95’, the influence of la nouvelle vague continues to be keenly felt in the artistic masterpieces of Bollywood production house YRF. Under the skillful hand of renowned auteur Aditya Chopra, the studio has produced a lineup of commercially successful arthouse flicks that continue the French filmmaking renaissance of the ‘50s, successfully infusing avant-garde storytelling techniques with high production values and modern Indian themes. Nowhere is this revolutionary vision more evident than in films like DDLJ (a masterpiece in abstract, absurdist storytelling), Mohabbatein (a sensitive examination of the taboo topic of attitudes towards adolescent self-gratification), Kal Ho Naa Ho (an ambitious adaptation of historian David McCullough’s book 1776), Jab Tak Hai Jaan (a religio-philosophical drama that engages in debate upon the tenets of Christianity, Shaivism, and the cultural taboo of Kala Pani) and, of course, the Dhoom franchise.
As YRF’s most popular franchise, the Dhoom series has, with each installment, made great independent strides in cinematic theory and practice. Although—as read above—YRF films explore a wide, varying range of topics as a whole, the Dhoom franchise focuses exclusively on the examination and discussion of economic and socio-economic matters of policy and practice in the Indian context. Over the course of 3 films, the discourse acquires a rich depth, with the analysis of issues including the economic costs and benefits of national highway construction, the clash between entrepreneurial aspirations and the security of bureaucratic employment, the 2008 economic recession in the BRICS context, and the causes and consequences of non-performing bank loans and a profiling of defaulters of on said loans. Indeed, a first course on Indian economics at any prestigious institution may well be framed around careful viewing and discussion of the Dhoom films. In the careful hands of Aditya Chopra and Vijay Krishna Acharya (Dhoom 1/2/3, Tashan, Thugs of Hindostan), each Dhoom film achieves a delicate balance between the overt cops-and-robbers heist story and the covert exploration of complex economic schools of thought.
As the 1st film in the franchise, Dhoom (2004) establishes the storytelling framework for the films to come, and by itself explores the challenges and opportunities presented by Indian economic policymaking in the early ‘00s. The film features an all-round star-studded cast, with support from Honorary Roadie & Stardust Awards nominee Esha Deol, Star’s Sabsey Award winner Rimi Sen, and Indian Telly Award nominee Arav Chowdharry. At the film’s helm are Lions Club Award winner John Abraham, Sansui Award winner Abhishek Bachchan, and Emmy nominee Uday Chopra. Series regulars Bachchan and Chopra play Jai and Ali respectively, Jai being a policeman and Ali a small-time mechanic with a penchant for fast bikes and disinterested women. Abraham essays the villainous role of Kabir, part-time restaurant waiter and part-time leader of a gang of biker thieves.
The film begins with a series of daring heists pulled off by Kabir’s gang, relying on their high-speed bikes to orchestrate sudden thefts and promptly escape the scene soon after. Their exploits catch the eye of Jai, a lifetime appointee to the post of Assistant Commissioner of Police. Jai, however, finds himself out of his depth and through a series of accidents, makes the acquaintance of Ali, a mildly-seedy mechanic and bike racer. Initially reluctant to be associated with law enforcement, Ali is eventually induced to join Jai’s cause and attempt to chase down Kabir and his merry band of men. Dhoom is slow and deliberate in its setup, and the film’s early minutes are heavy on subtext and detail, therefore, it is essential to take in the plot in small increments, so as to be thorough with one’s analysis.
In an allegorical sense, Jai, as a police officer, represents bureaucratic authority and the security, comforts and powers of government employment. Abraham’s Kabir, as a thief, is a laissez-faire capitalist, relying on his material advantage in the form of fast bikes and his manpower advantage in the form of skilled bikers to partake in a series of one-sided transactions with economic entities such as banks and government funds. In this sense, the act of robbery in Dhoom is merely a transaction between two private parties wherein one side gains an unfair amount at the other’s expense, absent external interventionism. In addition to being a free-market advocate, Kabir is also an employee at a pizza parlour, which seems to be the film’s attempt at exploring both the growing role of the service economy as a share of India’s Gross Domestic Product (GDP), and the amorphous nature of employment within the modern ‘gig’ economy. Caught between the competing ideas of state-control and free capitalism, Chopra’s Ali is a stand-in for the directionless youth, lured by the safety and dignity of a government job, whilst simultaneously seduced by the potential for greater wealth presented by free-market capitalism. The film’s plot is overt in this depiction, with Ali simultaneously fearful of Jai’s authority, yet desirous of wielding said authority as an employed policeman. Furthermore, in an action sequence set in Mumbai’s Chor Bazaar—a flea market specializing in illegally-hawked goods—Jai and Ali get into a fight with goons in the market, and are forced to make a hasty escape after being outnumbered. Ali bringing Jai to the market illustrates his ties to the informal, underground economy—a large, undocumented component of the Indian economy—and Jai’s subsequent fleeing the scene highlights the failed outcome of government attempts to regulate this grey economy by force and bluster.
Initially at a loss for clues, Jai is eventually able to deduce that Kabir’s bikers arrange their heists in close proximity to highways, providing as the highways do quick getaways after. This is no doubt an allusion to the economic importance of the National Highways Authority of India’s flagship ‘Golden Quadrilateral’ national highway construction project. Kabir, the raw capitalist, is empowered in his capitalistic pursuits by the government’s infrastructure investments, and John Abraham’s moody expression throughout the film is in no small part perhaps due to the discontentment within Kabir’s mind about his enterprise’s dependence on resources provided by the state. Having deduced Kabir’s MO, Jai and Ali attempt to catch him in the act. However, Kabir and his gang appear to have substantially faster bikes than Jai and Ali, which is undoubtedly an allusion to the government’s perceived ineptitude and inability to generally compete with private enterprise. Left chafing and chasing the dust, Jai catches a lucky break when an overconfident Kabir offers him a clue about his upcoming crime, with the catch being that if Jai fails to avert it, he must recuse himself from the case and leave Kabir to his entrepreneurial pursuits. Kabir, the staunch capitalist, is here hinting at the idea of termination clauses in Public-Private Partnerships (PPPs), agreements between enterprises and governments for mutual benefit. Whilst the government naturally retains the right to sever the partnership at any point, Kabir clearly believes that he, as the private party, is also entitled to terminate the contract should the government, aka Jai, default on the agreed-upon terms. Formally known as the ‘Authority Default’ concept, Dhoom represents this idea in the form of a simple, easy to understand challenge between Jai and Kabir.
Even as this layered conflict plays out between Jai and Kabir, Ali is enamoured by the mysterious ‘Dilbara’ (Esha Deol). Little is known about Dilbara, however, like other characters in the film, it may be reasonably assumed than she is also an allegorical depiction of an economic concept. Ali’s infatuation with her suggests that she is perhaps intended to be portrayed as a vague, undefined avenue of aspirational employment. Furthermore, the fact that she (as is later revealed) is in fact a part of Kabir’s gang, yet also harbours feelings for Ali, leads one to conclude that Dilbara represents a form of compromise between dirigisme, aka restrictive state-controlled economy, and laissez-faire anarcho-capitalism. The filmmakers leave the specifics of this compromise vague, however, Dilbara’s skimpy outfits perhaps represent the scantiness of opportunities presented by this nebulous alternative.
Returning to the main plot, Jai, despite being forewarned, fails to foil Kabir’s next robbery, despite being able to take down one of his gang in the process. Left short of a gang member, Kabir attempts to recruit Ali, left sidelined by Jai following their failure to catch Kabir. The jilted Ali readily embraces Kabir’s neoliberal worldview and the duo jet off to Goa, where Kabir has his eyes set on one final score from a casino. Subtextually, the casino and gambling in general represent what is in Kabir’s eyes an essential component of his brand of capitalism—rampant speculation and volatility that may be manipulated to one’s benefit. There may also be an addition reference to British academic Susan Strange’s seminal 1986 work Casino Capitalism, a critique of unregulated banking and financial systems. However, Kabir is more likely than not to be derisive of such thoughts, and therefore, if this reference was intended, it may merely be made to indicate the filmmakers’ complete mastery over both Keynesian and Austrian schools of economic thought.
The importance of dance numbers in YRF films cannot be overstated. Even as Bollywood music gravitates towards being little more than catchy jingles designed to elicit maximum publicity, the music and dance numbers in YRF films complement the plot perfectly, serving to both entertain and narrate. Dhoom is no exception to this tradition of excellence. On the eve of Kabir’s final heist, an inebriated Jai shows up at the casino, claiming to have left police employment and moved on. Kabir, however, is rightly suspicious, given as Jai is still a cop, and is merely attempting to lure Kabir into a false sense of comfort as a prelude to catching him in the act. This Jai accomplishes by putting on a song-and-dance in front of Kabir to convince him of his abandonment of state-sponsored socialism and his embrace of Kabir’s unrestrained capitalism. The song is entitled ‘Salamee’, a clever homophone of ‘salami’, a sausage that consists primary of beef. The consumption of beef was, in a landmark 2005 Supreme Court judgement, forbidden on grounds on anti cow-slaughter laws. Kabir, as an opponent of government intervention, would likely have been opposed to the idea of such a restriction being imposed upon him. Therefore, to show his solidarity to the cause, Jai takes to the stage in front of Kabir and sways to the refrain of “Naye kal ko aao kare, hum karein, karein/Salami, salami, salami/Kar le salami…”.
The subterfuge is apparently successful, and a placated Kabir is lulled into a false sense of security by Jai’s reinforcement of his worldview. However, as mentioned, Jai’s conversion is little more than a ruse, and a hoodwinked Kabir is successfully caught in the act by Jai and Ali, who is revealed to have been Jai’s mole all along. The ever-slippery Kabir, however, weasels his way out of Jai’s clutches, and flees with his loot. Although Dhoom 3 would better address the phenomenon of loan defaulters taking flight from the verge of captivity, Dhoom too takes a cursory look at the occurrence, although Kabir does not quite embody a loan defaulter. He is merely the free-market capitalist, the robber baron caught flouting regulations and fleeing from the consequences of government intervention. A long chase sequence ensues, with Kabir fleeing but ultimately cornered by Jai and Ali at the precipice of a sea-facing cliff. Facing a choice between certain captivity and death, Kabir chooses to fly off the cliff with the last of his loot. In a literal sense, Kabir merely dies by falling off the cliff into the sea. In a figurative sense, faced with the prospect of his enterprise being forced to comply with ungainly regulations, Kabir chooses instead to offshore his business, and make for better waters, thus bringing his character arc to a natural and satisfying conclusion. A frustrated Jai bemoans his end, representing the government’s exasperation at ultimately failing to bring a rogue enterprise to heel. Ali, having seen his capitalistic expectations dive off a cliff with Kabir, chooses in the film’s final shot, to finally pursue the path to safe, steady, state-sponsored employment after all, asking Jai if he finally is a bona-fide police officer, as the film fades to black.
The topical nature of Dhoom is a cause for admiration, even a decade and a half after its release. The film successfully ties together strands of economic and socio-economic thought from its time—the ‘Golden Quadrilateral’ project received a major fillip in the first years of the new millennium, the service sector encountered a boom around the same time, as did the contribution of outsourcing to employment and economic growth. The rise of men like Kabir is perfectly timed in the post-License Raj years, as the country embraced capitalism over state socialism. Yet, the lure of stable, ‘safe’ government employment holds true, and powers men like Jai and seduces men like Ali. Dilbara’s unknown fate at the end of the film—left waiting for Ali by the side of a road—is representative of the uncertain outcomes of economic models with time. On a meta note, the Dhoom franchise’s casting of Abhishek Bachchan and Uday Chopra in every film is a nod to the ‘Mahatma Gandhi National Rural Employment Guarantee Act’ of 2005, a flagship government initiative that guarantees employment for a certain number of days out of the year, in the form of unskilled labour.
In summation, Dhoom rightly deserves its place as a seminal film in the annals of both YRF and Indian cinema. In its own right, it is a bold, experimental film that marries erudition to entertainment. It is also the progenitor of its celebrated franchise, providing the springboard from which future films would explore similar issues in an equally deft and precise fashion. To YRF, the Dhoom franchise, and Indian cinema, the film Dhoom is nothing short of a bottle of nitrous oxide, that when attached to a bike, propels it into the stratosphere.
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25 RDR2 Grievances

1.No ponchos
2.We can't really explore Guarma
3.Can't save after using cheat codes🖕
4.Every piece of meat looks the same
5.You can't take a bath if you drink alcohol
6.Nutrition & health mean absolutely nothing
7.Drink every liquor out in 1899, but never drink water
8.Weren't we close to Mexico?! Why didn't we go there?
9.No one ever told the people in 1899 that snitches get stitches?
10.Wth does my bond with a horse have to do with speed & stamima?
11.Why is one abondoned house a valid place to sleep but not another?
12.Makes no sense that you can't go to a barber until you have the bar fight
13.Makes less sense that you can't get a grooming brush until you go hunting with Hosea
14.I chopped wood & moved hay close to the horses. That means i'm an honorable guy👍
15.You don't have access to your weapons in camp but Susan is cleaning a whole rifle & Javier is poisoning his knife
16.Micah can be a racist, a dog killer & top tier asshole & it's ok. But you can be K.O.'d by your best friends & thrown out of camp
17.The genius minds of Dutch & Hosea never thought it was a bad idea for Arthur to be seen by both the Grays & Braithwaites?
18.We can work super hard for a level 10 beard but we can't go past level 7 hair....as we watch Charles have a level 13 braided ponytail
19.You can go robbing, exploring & hunting. Mauled by a grizzly. Bring money & food back & do chores . But Susan & Dutch call you lazy for resting for 2 hours
20.You get off your horse for 1 minute in real time to pick some carrots & like 35 in game mins pass. You play dominoes with Hosea for 30 mins real time & 2 in game mins pass
21.Go to a town you never been to (Strawberry) to break out Micah. No one knows you. Use your bandana to conceal your identity & $300 bounty on Arthur Morgan......perfect sense👌
22.Arthur is the most overworked & relied on member of the gang. Been through immense emotional & physical pain & hasn't had a release in months! Possibly years. You telling me he can't at least get a working girl?
23.Drink valerian root, collect cigarette cards, find dinosaur bones & do chores to increase Dead Eye (Not that it makes sense) to level 7 or 8. But you can't really choose where to mark your shot until a specific mission because why the hell not?!
24.3 to 5 months, a different beard & hairstyle later & you still can't go anywhere near Blackwater without a magic sniper & the law on you instantly. But break Micah out of jail & kill half of Strawberry? Pay the bounty & come on in! Kill Saint Denis cops in a failed trolley station robbery & come back a couple days later to rob a bank & kill like 47 more in Saint Denis? Take a boat & come back in a week, you'll be fine!
25.The illusion of money & it's importance. It never matters how much money you have or make. It never matters how much you donate. We need money to get off the mountains but Strauss has enough to loan in Valentine. Our Valentine bank robbery was like 15K & still not enough. Javier accuses you of only sticking around for the money like you're not walking around with another 15K in your satchel. Dutch gets a $500 bond in "My Last Boy" & he almost cums in his pants. Didn't Hosea get close to a thousand for the Cornwall bonds? And how does Dutch figure a trolly station will have as much as money as a boat casino? Not that he ever says how much we need. People come up with ways to recover Arthur's money for the epilogue just so John can walk around with 14 or 15K & still tell Sadie he's desperate & needs the money because you know....storyline.
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Which Director had the best run in the 40s?

Best run in terms of anything
William Wyler: The Westerner, The Heiress, The Little Foxes, The Letter, The Best Years of Our Lives, Mrs. Miniver, Memphis Belle, and Thunderbolt.
Orson Welles: Citizen Kane, The Magnificent Ambersons, The Lady from Shanghai, Macbeth, Journey into Fear, The Stranger, Black Magic, and Follow the Boys.
John Huston: The Maltese Falcon, The Treasure of the Sierra Madre, Key Largo, We Were Strangers, In This Our Life, Across the Pacific, and Let There Be Light.
Howard Hawks: Red River, I Was a Male War Bride,A Song Is Born, To Have and Have Not, The Big Sleep, Sergeant York, His Girl Friday, Air Force, and Ball of Fire.
Alfred Hitchcock: Notorious, Rebecca, Shadow of a Doubt, Spellbound, Rope, Suspicion, Under Capricorn, Foreign Correspondent, Saboteur, Mr. & Mrs. Smith, Lifeboat, and The Paradine Case.
Preston Sturges: The Palm Beach Story, Sullivan's Travels, Unfaithfully Yours, The Great Moment, The Miracle of Morgan's Creek,I Married a Witch, Christmas in July, The Lady Eve, and The Great McGinty.
George Cukor: The Philadelphia Story, Gaslight, Adam's Rib, Susan and God, Her Cardboard Lover, Keeper of the Flame, Edward, My Son, A Double Life, I'll Be Seeing You, and Desire Me.
John Ford: The Grapes of Wrath, The Long Voyage Home, Tobacco Road, How Green Was My Valley, 3 Godfathers, December 7th: The Movie, My Darling Clementine, They Were Expendable, We Sail at Midnight, Fort Apache, Torpedo Squadron ,The Battle of Midway, How to Operate Behind Enemy Lines, She Wore a Yellow Ribbon, and The Fugitive.
Jacques Tourneur: Cat People, I Walked With a Zombie, Out of the Past, Canyon Passage, The Leopard Man, Phantom Raiders, Days of Glory, Easy Living, Experiment Perilous, and Berlin Express.
Vittorio De Sica: Shoeshine, Bicycle Thieves, Heart and Soul, The Children Are Watching Us, The Gates of Heaven, A Garibaldian in the Convent, Teresa Venerdì, Maddalena, Zero for Conduct, and Red Roses.
Roberto Rossellini: Rome, Open City, Paisan, Germany, Year Zero, L'Amore, The White Ship, A Pilot Returns, and The Man with a Cross.
Ernst Lubitsch: To Be or Not to Be, The Shop Around the Corner, Heaven Can Wait, Cluny Brown, That Uncertain Feeling, A Royal Scandal, and That Lady in Ermine.
Powell and Pressburger: The Life and Death of Colonel Blimp, The Red Shoes, A Canterbury Tale, I Know Where I'm Going!, A Matter of Life and Death, Black Narcissus, Contraband, 49th Parallel, One of Our Aircraft Is Missing, The Small Back Room,and An Airman's Letter to His Mother.
Michael Curtiz: Casablanca, Mildred Pierce, The Sea Wolf, Yankee Doodle Dandy, This Is the Army, Night and Day, Romance on the High Seas, Santa Fe Trail, Virginia City, The Sea Hawk, Captains of the Clouds, Dive Bomber, Life with Father, Mission to Moscow, Janie, Passage to Marseille, Roughly Speaking, The Unsuspected, My Dream Is Yours, Flamingo Road, and The Lady Takes a Sailor.
John M. Stahl: Leave Her to Heaven, The Foxes of Harrow, The Eve of St. Mark, Our Wife, Immortal Sergeant, Holy Matrimony, The Keys of the Kingdom, The Walls of Jericho, Father Was a Fullback, and Oh, You Beautiful Doll.
Billy Wilder: The Major and the Minor, The Lost Weekend, Double Indemnity, Five Graves to Cairo, Death Mills, The Emperor Waltz, and A Foreign Affair.
Nicholas Ray: They Live by Night, A Roseanna McCoy, Woman's Secret, and Knock on Any Door.
Elia Kazan: A Tree Grows in Brooklyn, Pinky, Boomerang, The Sea of Grass, and Gentleman's Agreement.
Frank Capra: It’s a Wonderful Life, Arsenic and Old Lace, State of the Union, and Meet John Doe.
Carol Reed: The Third Man, Odd Man Out, The Fallen Idol, The Stars Look Down, Girl in the News, A Letter from Home, Kipps, The Young Mr. Pitt, Night Train to Munich, The New Lot, and The Way Ahead. David Lean: In Which We Serve, This Happy Breed, Brief Encounter, Blithe Spirit, Oliver Twist, Great Expectations, and The Passionate Friends.
Mervyn LeRoy: Waterloo Bridge, Random Harvest, Little Women, East Side, West Side, Without Reservations, Any Number Can Play, The House I Live In, Madame Curie, Thirty Seconds Over Tokyo, Blossoms in the Dust, Johnny Eager, Escape, and Homecoming.
Vincente Minnelli: Meet Me in St. Louis, I Dood It, Cabin in the Sky, Yolanda and the Thief, The Clock, Undercurrent, Ziegfeld Follies, The Pirate, Madame Bovary, and Till the Clouds Roll By. Charles Walters: Ziegfeld Follies, Easter Parade, Good News, and The Barkleys of Broadway.
Leo McCarey: The Bells of St. Mary's and Once Upon a Honeymoon.
Jean Renoir: The Woman on the Beach, The Southerner, The Diary of a Chambermaid, Swamp Water, and This Land is Mine.
Anthony Mann: Moonlight in Havana, Sing Your Way Home, My Best Gal, Nobody's Darling, Dr. Broadway, Strangers in the Night, Bamboo Blonde, Raw Deal, T-Men, Desperate, Railroaded!, Border Incident, Reign of Terror, Two O'Clock Courage, and Strange Impersonation.
King Vidor: The Fountainhead, On Our Merry Way, Duel in the Sun, An American Romance, Comrade X, Northwest Passage, H. M. Pulham, Esq., and Beyond the Forest.
Robert Rossen: All The King’s Men, Johnny O'Clock, The Strange Love of Martha Ivers, A Child Is Born, Edge of Darkness, Out of the Fog, Blues in the Night, A Walk in the Sun, The Undercover Man, Desert Fury, and Body and Soul.
Fred Zinnemann: The Search, Kid Glove Killer, Eyes in the Night, The Clock, Act of Violence, The Seventh Cross, Little Mister Jim, and My Brother Talks to Horses.
Robert Wise: Criminal Court, The Curse of the Cat People, Mademoiselle Fifi, The Body Snatcher, Born to Kill, The Set-Up, A Game of Death, Blood on the Moon, and Mystery in Mexico.
Akira Kurosawa: Sanshiro Sugata, Sanshiro Sugata Part II, The Most Beautiful, One Wonderful Sunday, Drunken Angel, The Quiet Duel, Stray Dog, The Men Who Tread on the Tiger's Tail, and No Regrets for Our Youth.
Otto Preminger: Laura, Fallen Angel, Daisy Kenyon, Forever Amber, Whirl Pool, The Fan, Margin for Error, In the Meantime, Darling, and Centennial Summer.
Jules Dassin: Thieves' Highway, A Letter for Evie, Brute Force, Two Smart People, The Naked City, Young Ideas, The Canterville Ghost, Nazi Agent, The Tell-Tale Heart, The Affairs of Martha, and Reunion in France.
Charlie Chaplin: The Great Dictator, and Monsieur Verdoux. George Stevens: The More the Merrier, The Talk of the Town, Penny Serenade, Woman of the Year, Vigil in the Night, On Our Merry Way, The Nazi Plan, and I Remember Mama.
Yasujirô Ozu: Late Spring, Brothers and Sisters of the Toda Family, A Hen in the Wind, There Was a Father, and Record of a Tenement Gentleman.
Fritz Lang: Secret Beyond the Door, The Woman in the Window, Scarlet Street, Cloak and Dagger, Man Hunt, Ministry of Fear, Hangmen Also Die!, Western Union, Moon Tide, and The Return of Frank James.
Raoul Walsh: High Sierra, White Heat, Colorado Territory, Fighter Squadron, Silver River, Pursued, The Man I Love, Cheyenne, Uncertain Glory, Objective, Burma!, Manpower, Desperate Journey, Northern Pursuit, The Strawberry Blonde, They Died with Their Boots On, Gentleman Jim, Dark Command, and They Drive by Night.
Vincent Sherman: Nora Prentiss, Mr. Skeffington, Adventures of Don Juan, The Unfaithful, The Hard Way, Old Acquaintance, The Hasty Heart, In our Time, Pillow to Post, Janie Gets Married, Saturday's Children, The Man Who Talked Too Much, Underground, Flight from Destiny, Across the Pacific, and All Through the Night.
Anatole Litvak: The Snake Pit, City for Conquest, The Battle of Russia, Why We Fight, Sorry, Wrong Number, This Above All, The Long Night, All This, and Heaven Too, and Castle on the Hudson.
Max Ophüls: Caught, The Reckless Moment, The Exile, Letter from an Unknown Woman, Vendetta, and Sarajevo.
Charles Vidor: Gilda, Cover Girl, Over 21, The Loves of Carmen, The Tuttles of Tahiti, The Desperadoes, Together Again, A Song to Remember, The Man from Colorado, New York Town, Ladies in Retirement, My Son, My Son!, and The Lady in Question.
Edgar G. Ulmer: Detour, Isle of Forgotten Sins, Girls in Chains, Tomorrow We Live, Club Havana, The Strange Woman, My Son, the Hero, Jive Junction, Strange Illusion, Bluebeard, Her Sister's Secret, The Pirates of Capri, Ruthless, The Wife of Monte Cristo, and Carnegie Hall.
Victor Fleming: Dr. Jekyll and Mr. Hyde, Joan of Arc, Adventure, A Guy Named Joe, and Tortilla Flat.
Joseph L. Mankiewicz: A Letter to Three Wives, Escape, House of Strangers, The Late George Apley, The Ghost and Mrs. Muir, Dragonwyck, and Somewhere in the Night.
Robert Bresson: Angels of Sin and Les Dames du Bois de Boulogne.
Luis Buñuel: Gran Casino and The Great Madcap.
Fei Mu: Spring in a Small Town, Confucius, The Beauty, A Wedding in the Dream, The Magnificent Country, Songs of Ancient China, and The Little Cowheard.
Kenji Mizoguchi: The 47 Ronin, A Woman of Osaka, Flame of My Love, The Love of the Actress Sumako, Victory Song, Utamaro and His Five Women, Women of the Night, Victory of Women, The Famous Sword Bijomaru, Three Generations of Danjuro, The Life of an Actor, and Miyamoto Musashi.
Douglas Sirk: Lured, Sleep, My Love, Hitler's Madman, Summer Storm, A Scandal in Paris, Shockproof, and Slightly French.
René Clément: The Battle of the Rails, The Damned, Mr. Orchid, and The Walls of Malapaga.
Robert Hamer: Kind Hearts and Coronets, The Spider and the Fly, It Always Rains on Sunday, San Demetrio London, and Pink String and Sealing Wax.
Robert Siodmak: Criss Cross, Cry of The City, Dark Mirror, Phantom Lady, The Killers, The Spiral Staircase, Christmas Holiday, The Strange Affair of Uncle Harry, Time Out of Mind, Son of Dracula, The Suspect, The Night Before the Divorce, Someone to Remember, Cobra Woman, The File on Thelma Jordon, The Great Sinner, West Point Widow, My Heart Belongs to Daddy, and Fly-by-Night.
Humphrey Jennings: Spring Offensive, Welfare of the Workers, London Can Take It!, A Diary for Timothy, This Is England, Words for Battle, Fires Were Started, Listen to Britain, The Silent Village, The True Story of Lili Marlene, The Eighty Days, Myra Hess, A Defeated People, The Cumberland Story, and The Dim Little Island.
William Dieterle: Dr. Ehrlich's Magic Bullet, Kismet, This Love of Ours, Syncopation, The Searching Wind, Rope of Sand, Portrait of Jennie, The Accused, I'll Be Seeing You, A Dispatch from Reuters, The Devil and Daniel Webster, Tennessee Johnson, and Love Letters.
Edmund Goulding: The Razor's Edge, Nightmare Alley, The Shocking Miss Pilgrim, Everybody Does It, Claudia, Of Human Bondage, Flight from Folly, Forever and a Day, Old Acquaintance, The Constant Nymph, The Great Lie, and Til We Meet Again.
Luchino Visconti: Ossessione and La Terra Trema.
Ernest B. Schoedsack: Dr. Cyclops and Mighty Joe Young.
Roy Del Ruth: It Happened on 5th Avenue, Red Light, The Babe Ruth Story, The Chocolate Soldier, Topper Returns, He Married His Wife, Du Barry Was a Lady, and Ziegfeld Follies.
Rene Clair: And Then There Were None, I Married a Witch, Man About Town,It Happened Tomorrow, The Flame of New Orleans, and Forever and a Day.
John Cromwell: Victory, Abe Lincoln in Illinois, So Ends Our Night, Son of Fury: The Story of Benjamin Blake, Anna and the King of Siam, Dead Reckoning, The Enchanted Cottage, Since You Went Away, and Night Song.
Richard Fleischer: Trapped, Make Mine Laughs, The Clay Pigeon, Follow Me Quietly, Banjo, Design for Death, So This Is New York, Bodyguard, and Child of Divorce.
Norman Z. McLeod: Jackass Mail, The Secret Life of Walter Mitty, Panama Hattie, The Paleface, and Little Men.
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Which Director had the best run in the 40s?

Best run in terms of anything
William Wyler: The Westerner, The Heiress, The Little Foxes, The Letter, The Best Years of Our Lives, Mrs. Miniver, Memphis Belle, and Thunderbolt.
Orson Welles: Citizen Kane, The Magnificent Ambersons, The Lady from Shanghai, Macbeth, Journey into Fear, The Stranger, Black Magic, and Follow the Boys.
John Huston: The Maltese Falcon, The Treasure of the Sierra Madre, Key Largo, We Were Strangers, In This Our Life, Across the Pacific, and Let There Be Light.
Howard Hawks: Red River, I Was a Male War Bride,A Song Is Born, To Have and Have Not, The Big Sleep, Sergeant York, His Girl Friday, Air Force, and Ball of Fire.
Alfred Hitchcock: Notorious, Rebecca, Shadow of a Doubt, Spellbound, Rope, Suspicion, Under Capricorn, Foreign Correspondent, Saboteur, Mr. & Mrs. Smith, Lifeboat, and The Paradine Case.
Preston Sturges: The Palm Beach Story, Sullivan's Travels, Unfaithfully Yours, The Great Moment, The Miracle of Morgan's Creek,I Married a Witch, Christmas in July, The Lady Eve, and The Great McGinty.
George Cukor: The Philadelphia Story, Gaslight, Adam's Rib, Susan and God, Her Cardboard Lover, Keeper of the Flame, Edward, My Son, A Double Life, I'll Be Seeing You, and Desire Me.
John Ford: The Grapes of Wrath, The Long Voyage Home, Tobacco Road, How Green Was My Valley, 3 Godfathers, December 7th: The Movie, My Darling Clementine, They Were Expendable, We Sail at Midnight, Fort Apache, Torpedo Squadron ,The Battle of Midway, How to Operate Behind Enemy Lines, She Wore a Yellow Ribbon, and The Fugitive.
Jacques Tourneur: Cat People, I Walked With a Zombie, Out of the Past, Canyon Passage, The Leopard Man, Phantom Raiders, Days of Glory, Easy Living, Experiment Perilous, and Berlin Express.
Vittorio De Sica: Shoeshine, Bicycle Thieves, Heart and Soul, The Children Are Watching Us, The Gates of Heaven, A Garibaldian in the Convent, Teresa Venerdì, Maddalena, Zero for Conduct, and Red Roses.
Roberto Rossellini: Rome, Open City, Paisan, Germany, Year Zero, L'Amore, The White Ship, A Pilot Returns, and The Man with a Cross.
Ernst Lubitsch: To Be or Not to Be, The Shop Around the Corner, Heaven Can Wait, Cluny Brown, That Uncertain Feeling, A Royal Scandal, and That Lady in Ermine.
Powell and Pressburger: The Life and Death of Colonel Blimp, The Red Shoes, A Canterbury Tale, I Know Where I'm Going!, A Matter of Life and Death, Black Narcissus, Contraband, 49th Parallel, One of Our Aircraft Is Missing,The Small Back Room, and An Airman's Letter to His Mother.
Michael Curtiz: Casablanca, Mildred Pierce, The Sea Wolf, Yankee Doodle Dandy, This Is the Army, Night and Day, Romance on the High Seas, Santa Fe Trail, Virginia City, The Sea Hawk, Captains of the Clouds, Dive Bomber, Life with Father, Mission to Moscow, Janie, Passage to Marseille, Roughly Speaking, The Unsuspected, My Dream Is Yours, Flamingo Road, and The Lady Takes a Sailor.
John M. Stahl: Leave Her to Heaven, The Foxes of Harrow, The Eve of St. Mark, Our Wife, Immortal Sergeant, Holy Matrimony, The Keys of the Kingdom, The Walls of Jericho, Father Was a Fullback, and Oh, You Beautiful Doll.
Billy Wilder: The Major and the Minor, The Lost Weekend, Double Indemnity, Five Graves to Cairo, Death Mills, The Emperor Waltz, and A Foreign Affair.
Nicholas Ray: They Live by Night, A Roseanna McCoy, Woman's Secret, and Knock on Any Door.
Elia Kazan: A Tree Grows in Brooklyn, Pinky, Boomerang, The Sea of Grass, and Gentleman's Agreement.
Frank Capra: It’s a Wonderful Life, Arsenic and Old Lace, State of the Union, and Meet John Doe.
Carol Reed: The Third Man, Odd Man Out, The Fallen Idol, The Stars Look Down, Girl in the News, A Letter from Home, Kipps, The Young Mr. Pitt, Night Train to Munich, The New Lot, and The Way Ahead.
David Lean: In Which We Serve, This Happy Breed, Brief Encounter, Blithe Spirit, Oliver Twist, Great Expectations, and The Passionate Friends.
Mervyn LeRoy: Waterloo Bridge, Random Harvest, Little Women, East Side, West Side, Without Reservations, Any Number Can Play, The House I Live In, Madame Curie, Thirty Seconds Over Tokyo, Blossoms in the Dust, Johnny Eager, Escape, and Homecoming.
Vincente Minnelli: Meet Me in St. Louis, I Dood It, Cabin in the Sky, Yolanda and the Thief, The Clock, Undercurrent, Ziegfeld Follies, The Pirate, Madame Bovary, and Till the Clouds Roll By.
Charles Walters: Ziegfeld Follies, Easter Parade, Good News, and The Barkleys of Broadway.
Leo McCarey: The Bells of St. Mary's and Once Upon a Honeymoon.
Jean Renoir: The Woman on the Beach, The Southerner, The Diary of a Chambermaid, Swamp Water, and This Land is Mine.
Anthony Mann: Moonlight in Havana, Sing Your Way Home, My Best Gal, Nobody's Darling, Dr. Broadway, Strangers in the Night, Bamboo Blonde, Raw Deal, T-Men, Desperate, Railroaded!, Border Incident, Reign of Terror, Two O'Clock Courage, and Strange Impersonation.
King Vidor: The Fountainhead, On Our Merry Way, Duel in the Sun, An American Romance, Comrade X, Northwest Passage, H. M. Pulham, Esq., and Beyond the Forest.
Robert Rossen: All The King’s Men, Johnny O'Clock, The Strange Love of Martha Ivers, A Child Is Born, Edge of Darkness, Out of the Fog, Blues in the Night, A Walk in the Sun, The Undercover Man, Desert Fury, and Body and Soul.
Fred Zinnemann: The Search, Kid Glove Killer, Eyes in the Night, The Clock, Act of Violence, The Seventh Cross, Little Mister Jim, and My Brother Talks to Horses.
Robert Wise: Criminal Court, The Curse of the Cat People, Mademoiselle Fifi, The Body Snatcher, Born to Kill, The Set-Up, A Game of Death, Blood on the Moon, and Mystery in Mexico.
Akira Kurosawa: Sanshiro Sugata, Sanshiro Sugata Part II, The Most Beautiful, One Wonderful Sunday, Drunken Angel, The Quiet Duel, Stray Dog, The Men Who Tread on the Tiger's Tail, and No Regrets for Our Youth.
Otto Preminger: Laura, Fallen Angel, Daisy Kenyon, Forever Amber, Whirl Pool, The Fan, Margin for Error, In the Meantime, Darling, and Centennial Summer.
Jules Dassin: Thieves' Highway, A Letter for Evie, Brute Force, Two Smart People, The Naked City, Young Ideas, The Canterville Ghost, Nazi Agent, The Tell-Tale Heart, The Affairs of Martha, and Reunion in France.
Charlie Chaplin: The Great Dictator, and Monsieur Verdoux. George Stevens: The More the Merrier, The Talk of the Town, Penny Serenade, Woman of the Year, Vigil in the Night, On Our Merry Way, The Nazi Plan, and I Remember Mama.
Yasujirô Ozu: Late Spring, Brothers and Sisters of the Toda Family, A Hen in the Wind, There Was a Father, and Record of a Tenement Gentleman.
Fritz Lang: Secret Beyond the Door, The Woman in the Window, Scarlet Street, Cloak and Dagger, Man Hunt, Ministry of Fear, Hangmen Also Die!, Western Union, Moon Tide, and The Return of Frank James.
Raoul Walsh: High Sierra, White Heat, Colorado Territory, Fighter Squadron, Silver River, Pursued, The Man I Love, Cheyenne, Uncertain Glory, Objective, Burma!, Manpower, Desperate Journey, Northern Pursuit, The Strawberry Blonde, They Died with Their Boots On, Gentleman Jim, Dark Command, and They Drive by Night.
Vincent Sherman: Nora Prentiss, Mr. Skeffington, Adventures of Don Juan, The Unfaithful, The Hard Way, Old Acquaintance, The Hasty Heart, In our Time, Pillow to Post, Janie Gets Married, Saturday's Children, The Man Who Talked Too Much, Underground, Flight from Destiny, Across the Pacific, and All Through the Night.
Anatole Litvak: The Snake Pit, City for Conquest, The Battle of Russia, Why We Fight, Sorry, Wrong Number, This Above All, The Long Night, All This, and Heaven Too, and Castle on the Hudson.
Max Ophüls: Caught, The Reckless Moment, The Exile, Letter from an Unknown Woman, Vendetta, and Sarajevo.
Charles Vidor: Gilda, Cover Girl, Over 21, The Loves of Carmen, The Tuttles of Tahiti, The Desperadoes, Together Again, A Song to Remember, The Man from Colorado, New York Town, Ladies in Retirement, My Son, My Son!, and The Lady in Question.
Edgar G. Ulmer: Detour, Isle of Forgotten Sins, Girls in Chains, Tomorrow We Live, Club Havana, The Strange Woman, My Son, the Hero, Jive Junction, Strange Illusion, Bluebeard, Her Sister's Secret, The Pirates of Capri, Ruthless, The Wife of Monte Cristo, and Carnegie Hall.
Victor Fleming: Dr. Jekyll and Mr. Hyde, Joan of Arc, Adventure, A Guy Named Joe, and Tortilla Flat.
Joseph L. Mankiewicz: A Letter to Three Wives, Escape, House of Strangers, The Late George Apley, The Ghost and Mrs. Muir, Dragonwyck, and Somewhere in the Night.
Robert Bresson: Angels of Sin and Les Dames du Bois de Boulogne.
Luis Buñuel: Gran Casino and The Great Madcap.
Fei Mu: Spring in a Small Town, Confucius, The Beauty, A Wedding in the Dream, The Magnificent Country, Songs of Ancient China, and The Little Cowheard.
Kenji Mizoguchi: The 47 Ronin, A Woman of Osaka, Flame of My Love, The Love of the Actress Sumako, Victory Song, Utamaro and His Five Women, Women of the Night, Victory of Women, The Famous Sword Bijomaru, Three Generations of Danjuro, The Life of an Actor, and Miyamoto Musashi.
Douglas Sirk: Lured, Sleep, My Love, Hitler's Madman, Summer Storm, A Scandal in Paris, Shockproof, and Slightly French.
René Clément: The Battle of the Rails, The Damned, Mr. Orchid, and The Walls of Malapaga.
Robert Hamer: Kind Hearts and Coronets, The Spider and the Fly, It Always Rains on Sunday, San Demetrio London, and Pink String and Sealing Wax.
Robert Siodmak: Criss Cross, Cry of The City, Dark Mirror, Phantom Lady, The Killers, The Spiral Staircase, Christmas Holiday, The Strange Affair of Uncle Harry, Time Out of Mind, Son of Dracula, The Suspect, The Night Before the Divorce, Someone to Remember, Cobra Woman, The File on Thelma Jordon, The Great Sinner, West Point Widow, My Heart Belongs to Daddy, and Fly-by-Night.
Humphrey Jennings: Spring Offensive, Welfare of the Workers, London Can Take It!, A Diary for Timothy, This Is England, Words for Battle, Fires Were Started, Listen to Britain, The Silent Village, The True Story of Lili Marlene, The Eighty Days, Myra Hess, A Defeated People, The Cumberland Story, and The Dim Little Island.
William Dieterle: Dr. Ehrlich's Magic Bullet, Kismet, This Love of Ours, Syncopation, The Searching Wind, Rope of Sand, Portrait of Jennie, The Accused, I'll Be Seeing You, A Dispatch from Reuters, The Devil and Daniel Webster, Tennessee Johnson, and Love Letters.
Edmund Goulding: The Razor's Edge, Nightmare Alley, The Shocking Miss Pilgrim, Everybody Does It, Claudia, Of Human Bondage, Flight from Folly, Forever and a Day, Old Acquaintance, The Constant Nymph, The Great Lie, and Til We Meet Again.
Luchino Visconti: Ossessione and La Terra Trema.
Ernest B. Schoedsack: Dr. Cyclops and Mighty Joe Young.
Roy Del Ruth: It Happened on 5th Avenue, Red Light, The Babe Ruth Story, The Chocolate Soldier, Topper Returns, He Married His Wife, Du Barry Was a Lady, and Ziegfeld Follies.
Rene Clair: And Then There Were None, I Married a Witch, Man About Town,It Happened Tomorrow, The Flame of New Orleans, and Forever and a Day.
John Cromwell: Victory, Abe Lincoln in Illinois, So Ends Our Night, Son of Fury: The Story of Benjamin Blake, Anna and the King of Siam, Dead Reckoning, The Enchanted Cottage, Since You Went Away, and Night Song.
Richard Fleischer: Trapped, Make Mine Laughs, The Clay Pigeon, Follow Me Quietly, Banjo, Design for Death, So This Is New York, Bodyguard, and Child of Divorce.
Norman Z. McLeod: Jackass Mail, The Secret Life of Walter Mitty, Panama Hattie, The Paleface, and Little Men.
submitted by Britneyfan456 to flicks [link] [comments]

"Hurt So Bad!" Performed by Jacksonville band "Back Alley Cadillac" (Susan Tedeschi) onboard the Victory Casino Cruise ship!

submitted by tm0893 to coversongs [link] [comments]

Reddit Chosen Oscars: 1995 Winners

Best Picture
1. Toy Story
2. Seven
3. Before Sunrise
4. Apollo 13
5. The Usual Suspects
6. Braveheart
6. Heat
8. Casino
9. Babe
10. 12 Monkeys
Best Director
  1. David Fincher for Seven
  2. Ron Howard for Apollo 13
  3. Mel Gibson for Braveheart
  4. Michael Mann for Heat
  5. Richard Linklater for Before Sunrise
Best Lead Actor
  1. Nicolas Cage as Ben Sanderson in Leaving Las Vegas
  2. Ethan Hawke as Jesse in Before Sunrise
  3. Morgan Freeman as William Somerset in Seven
  4. Tom Hanks as Jim Lovell in Apollo 13
  5. Sean Penn as Matthew Poncelet in Dead Man Walking
Best Lead Actress
1. Julie Delpy as Céline in Before Sunrise
2. Sharon Stone as Ginger McKenna in Casino
3. Susan Sarandon as Sister Helen Prejean in Dead Man Walking
4. Nicole Kidman as Suzanne Stone-Maretto in To Die For
4. Elisabeth Shue as Sera in Leaving Las Vegas
6. Emma Thompson as Elinor Dashwood in Sense and Sensibility
Best Supporting Actor
  1. Kevin Spacey as Roger "Verbal" Kint/Keyser Söze in The Usual Suspects
  2. Brad Pitt as Jeffrey Goines in 12 Monkeys
  3. Ed Harris as Gene Kranz in Apollo 13
  4. James Cromwell as Arthur Hoggett in Babe
  5. Joe Pesci as Nicky Santoro in Casino
Best Supporting Actress
  1. Kate Winslet as Marianne Dashwood in Sense and Sensibility
  2. Gwyneth Paltrow as Tracy Mills in Seven
  3. Mira Sorvino as Linda Ash in Mighty Aphrodite
  4. Kathleen Quinlan as Marilyn Gerlach Lovell in Apollo 13
  5. Joan Allen as Pat Nixon in Nixon
Best Original Screenplay
  1. Toy Story
  2. Seven
  3. Before Sunrise
  4. The Usual Suspects
  5. La Haine
Best Adapted Screenplay
1. 12 Monkeys
2. Casino
3. Apollo 13
4. Babe
4. Sense and Sensibility
6. Leaving Las Vegas
Best Animated Film
1. Toy Story
2. Ghost in the Shell
3. Pocahontas
3. Whisper of the Heart
5. A Goofy Movie
Best Non-English Language Film
  1. La Haine
  2. Ghost in the Shell
  3. Il Postino: The Postman
  4. Whisper of the Heart
  5. Underground
Best Documentary Film
  1. A Personal Journey with Martin Scorsese Through American Movies
  2. The Battle Over Citizen Kane
  3. Anne Frank Remembered
  4. Frank and Ollie
  5. Unzipped
Best Original Score
  1. Toy Story
  2. Braveheart
  3. Apollo 13
  4. Seven
  5. Sense and Sensibility
Best Original Song
  1. "You’ve Got a Friend in Me" from Toy Story
  2. "Colors of the Wind" from Pocahontas
  3. "Gangsta’s Paradise" from Dangerous Minds
  4. "GoldenEye" from GoldenEye
  5. "Hold Me, Thrill Me, Kiss Me, Kill Me" from Batman Forever
Best Sound
  1. Apollo 13
  2. Heat
  3. Toy Story
  4. Braveheart
  5. Seven
Best Production Design
  1. Braveheart
  2. Apollo 13
  3. Seven
  4. 12 Monkeys
  5. Sense and Sensibility
Best Cinematography
  1. Seven
  2. Braveheart
  3. Apollo 13
  4. Heat
  5. Casino
Best Makeup/Hairstyling
1. Braveheart
2. Batman Forever
2. Seven
4. Clueless
5. 12 Monkeys
Best Costume Design
  1. Braveheart
  2. Sense and Sensibility
  3. Clueless
  4. Casino
  5. 12 Monkeys
Best Editing
  1. Seven
  2. Apollo 13
  3. Heat
  4. Casino
  5. Braveheart
Best Visual Effects
  1. Apollo 13
  2. Toy Story
  3. Babe
  4. Jumanji
  5. Batman Forever
Best Voice Acting Performance
  1. Tom Hanks as Woody in Toy Story
  2. Tim Allen as Buzz Lightyear in Toy Story
  3. Christine Cavanaugh as Babe in Babe
  4. Bill Farmer as Goofy in A Goofy Movie
  5. Irene Bedard and Judy Kuhn as Pocahontas in Pocahontas
Best Directorial Debut
  1. John Lasseter for Toy Story
  2. Noah Baumbach for Kicking and Screaming
  3. F. Gary Gray for Friday
  4. Michael Bay for Bad Boys
  5. Larry Clark for Kids
Best Ensemble Cast
  1. The Usual Suspects
  2. Seven
  3. Apollo 13
  4. Heat
  5. Casino
Best Choreography, Stunts or Dance
  1. Braveheart
  2. Heat
  3. GoldenEye
  4. Rumble in the Bronx
  5. Apollo 13
Best Soundtrack
  1. Toy Story
  2. Pocahontas
  3. Casino
  4. Clueless
  5. Batman Forever
Best Non-English Language Performance
  1. Vincent Cassel as Vinz in La Haine
  2. Massimo Troisi as Mario Ruoppolo in Il Postino: The Postman
  3. Gong Li as Xiao Jinbao in Shanghai Triad
  4. Isabelle Huppert as Jeanne in La Ceremonie
  5. Miki Manojlović as Marko Dren in Underground
Preferential ballot for this year
Full charts for all the categories
submitted by JuanRiveara to oscarrace [link] [comments]

I was bored so here is a list of all the popular skins that Hirez hasn't added to the game yet aka the Odyssey skins bingo

  1. Nerf Plz by Jaggudada
  1. Harvest Guard by u/RobDraws
  2. Draconic Acolyte by u/Wolfdawgartcorner
  1. Noble Sunlight by u/KeeperFairy
  2. Full Bloom by u/CF_Wong
  3. Tier 5 (3 forms) by u/CF_Wong
  4. Shield Maiden by u/Xelgot
  1. Rocket MANN by u/Wolfdawgartcorner
  1. The Dragon Knight Rises by u/CF_Wong
  1. Fortunate Sun by u/Wolfdawgartcorner
  2. Los Muertos Bandito by u/Jackalllllll
  3. Lifeguard by u/Xelgot
  1. Athenian by u/Wolfdawgartcorner
  1. Ursa Major by u/Wolfdawgartcorner
  1. Iron Maiden by u/OreoLeSasquatch
  1. Tiger King by u/UntrimmedBagel
  1. Afternoon Tea by u/RobDraws
  2. Grandmother Porcini by u/Raijin-Caijin
  3. Beach Babe by u/Kaios-0
  1. Doot Doot by u/auzi_11
  1. Lion Tamer by u/frenziedsteam
  1. Noble Champion by u/CF_Wong
  1. Nice Guy by u/RomanRoga33
  1. Moth Lady by u/KeeperFairy
  2. Macawbre by u/Wolfdawgartcorner
  3. One Giant Nostril by Alice Bruderer
  4. Cutesy Chibi by u/Knit-Kat
  1. Sunday by u/Wolfdawgartcorner
  2. Doge by u/Yamayashi
  1. Miracle Medic by u/Wolfdawgartcorner
  2. Chang'e Places (idk they didn't name it) by u/Hellsniper01 and friend
  1. Plasma Shot by u/JhayAlejo
  2. Steampunk by u/RobDraws
  3. Apocolyptic Archer by u/Wolfdawgartcorner
  1. Crow-nos by u/Wolfdawgartcorner
  1. Warden of Tartarus by u/Raijin-Caijin
  2. Noodley Lord by u/That_Bird101
  3. Hive Mind by u/RobDraws
  1. Coo-Coo Lain by u/ReiAnnVincent
  2. Terminator by u/CF_Wong
  3. Deep Descendant by u/RobDraws
  1. Space Invader by u/Wolfdawgartcorner
  2. Mafia Men + Ravana by u/RobDraws
  1. Paper Cut by u/Wolfdawgartcorner
  2. Toxic by u/death0912
  3. Dream Demon by Brittni Jensen
  1. Grave Warden by u/Raijin-Caijin
  2. Homeless Homie by u/aBlocH_smite
  1. Bug Catcher by u/RobDraws
  2. Garden Keeper by u/Soysaurus1
  3. Expeditionist by u/NecrofearPT
  1. Ravenous Raptor by u/Wolfdawgartcorner
  1. Coach Nesh by u/Raijin-Caijin
  1. Apophis by u/Wolfdawgartcorner
  2. Toph (Avatar) by u/darkgrey123
  1. Forrest Guardian by u/OreoLeSasquatch
  2. Guan Cena by u/Raijin-Caijin
  3. Red Hare/Biker by ???
  1. Heim-Draugr by u/Wolfdawgartcorner
  2. Zombie Killer by u/Raijin-Caijin
  3. HeimDOLL by u/DorinRuga
  1. Forbidden Summoner by u/Raijin-Caijin
  2. Loki and Fat Loki by u/Ashs-Bihh ?
  3. Hera-Tic by u/Wolfdawgartcorner
  4. Casino Queen by u/RobDraws
  5. V.I.P. by u/juan-gato
  1. (Old) Fire Giant by u/OnizukaMadao
  1. Midgardian Macaque by u/Raijin-Caijin
  1. Harpy by Emisys
  1. Death's Harvest by u/RobDraws
  1. Crash Course by u/RammehJammeh
  2. Wall Walker by ???
  3. Beekeeper by u/Raijin-Caijin
  1. Oath Sworn Voyage by u/Raijin-Caijin
  2. Jake the Rattlesnake (Rango) by u/ZombtoysLegacy
  3. Earth Ripper by u/RobDraws
  4. Off the string by u/ArtisticArtist5
  5. Wormungandr by u/Layall-
  6. Apophis by u/Kevman403
  7. Sandworm by u/CrescentPotato
  8. Sweeth Tooth by u/ProteinJesus
  9. Jormanjaeger by u/Wolfdawgartcorner
  1. Blood Revival by u/Raijin-Caijin
  2. Tormented Beast by u/CF_Wong
  3. Bath Time by u/Raijin-Caijin
  1. idk it's really weird by u/Rossandliz
  1. Pool Noodle by u/Teo_Manfredi
  2. Flying Spaghetti by [deleted] ¯\_(ツ)_/¯
  1. Mama Bear by u/Wolfdawgartcorner
  2. Kuzenbot by u/OreoLeSasquatch
  1. Thermal Tech by u/Raijin-Caijin
  1. Drowned by u/Vulomeh
  2. Gummy Worms by NymphaLuna
  1. Hipster Music Buff by u/Hydromus
  2. Professor Prism by u/RobDraws
  3. Crusading Conjuror + Guan Yu by u/Wolfdawgartcorner
  1. MOO-LAWN by u/Wolfdawgartcorner
  2. Mysterious Chinese Warrior aka NO BOOBIE ARMOUR by ???
  1. Karen by u/Britzooka
  1. Youthful Mage by u/PockyRoyale
  1. Allfather by u/Raijin-Caijin
  1. Xibalba's Tribute by u/Raijin-Caijin
  1. Jungle Explorer by u/Anubis1214
  2. Miner by u/maytriangle
  1. Unholy Doodle by u/Raijin-Caijin
  1. Stone Mason by u/Raijin-Caijin
  1. Orion by u/Wolfdawgartcorner
  2. The Hunter by u/DaGarch
  1. Hamster by u/Knit-Kat
  2. Trash Panda by u/Kaios-0
  1. Inari Okami by u/Wolfdawgartcorner
  2. Tomb Warden by u/RobDraws
  3. Deep Horror by u/ironwolf09
  1. Quetzalcoatl's Champion by u/RobDraws
  1. Black Knight (Chess themed) by u/Wolfdawgartcorner
  1. Air Jaws by u/Wolfdawgartcorner
  1. Springbreak by u/WhatIfYouWereAFish
  1. Dinosaur by u/aBlocH_smite
  2. Totemic Beast Master by u/RobDraws
  1. xXEdgelordXx by u/RobDraws
  2. Noble Shroom by u/Raijin-Caijin
  3. Gender Bender (Susan?) by u/KeeperFairy
  1. Party Animal by u/Raijin-Caijin
  2. Princess and the Frog-er by u/DaGarch
  3. Puppet Master by u/Raijin-Caijin
  4. Fable Hero + King Arthur + Mercury by u/RobDraws
  1. Dictation of Sin by u/Raijin-Caijin
  1. Blood Moon by u/Wolfdawgartcorner
  1. Chess Horse by u/Wolfdawgartcorner
  2. Black Swordsman by u/Govnar_Inc
  1. KUVULKAN by u/Wolfdawgartcorner
  2. Candy Man by u/Raijin-Caijin
  1. Fish Bowl Warrior by u/Fendrich
  2. Brain in a Jar by u/RobDraws
  1. Burning Soul by u/Juniper_lefae
  1. Vladymir by u/Czarooo
  1. Winter Wizard by u/RobDraws
  2. Master of Kindergarten by u/Raijin-Caijin
  1. Renaissance Artist by u/Eaoghan_Fin

Some observations: the oldest "popular" concept not added to the game is Biker Guan Yu, while the most upvoted is Unholy Doodle Ra. However, since it's a very new concept they can still add it in the next year or so, which makes Crash Course and Wall Walker Janus the oldest ones not added.
Giant serpent boi has the most concepts by far, and Tsukuyomi already has his only fan concept among the most upvoted.
Rob, Caijin and Wolf should get hired by Hirez at this point.
submitted by Kaypora to Smite [link] [comments]

SKRIBBL WORD LIST

Pac-Man
bow
Apple
chest
six pack
nail
tornado
Mickey Mouse
Youtube
lightning
traffic light
waterfall
McDonalds
Donald Trump
Patrick
stop sign
Superman
tooth
sunflower
keyboard
island
Pikachu
Harry Potter
Nintendo Switch
Facebook
eyebrow
Peppa Pig
SpongeBob
Creeper
octopus
church
Eiffel tower
tongue
snowflake
fish
Twitter
pan
Jesus Christ
butt cheeks
jail
Pepsi
hospital
pregnant
thunderstorm
smile
skull
flower
palm tree
Angry Birds
America
lips
cloud
compass
mustache
Captain America
pimple
Easter Bunny
chicken
Elmo
watch
prison
skeleton
arrow
volcano
Minion
school
tie
lighthouse
fountain
Cookie Monster
Iron Man
Santa
blood
river
bar
Mount Everest
chest hair
Gumball
north
water
cactus
treehouse
bridge
short
thumb
beach
mountain
Nike
flag
Paris
eyelash
Shrek
brain
iceberg
fingernail
playground
ice cream
Google
dead
knife
spoon
unibrow
Spiderman
black
graveyard
elbow
golden egg
yellow
Germany
Adidas
nose hair
Deadpool
Homer Simpson
Bart Simpson
rainbow
ruler
building
raindrop
storm
coffee shop
windmill
fidget spinner
yo-yo
ice
legs
tent
mouth
ocean
Fanta
homeless
tablet
muscle
Pinocchio
tear
nose
snow
nostrils
Olaf
belly button
Lion King
car wash
Egypt
Statue of Liberty
Hello Kitty
pinky
Winnie the Pooh
guitar
Hulk
Grinch
Nutella
cold
flagpole
Canada
rainforest
blue
rose
tree
hot
mailbox
Nemo
crab
knee
doghouse
Chrome
cotton candy
Barack Obama
hot chocolate
Michael Jackson
map
Samsung
shoulder
Microsoft
parking
forest
full moon
cherry blossom
apple seed
Donald Duck
leaf
bat
earwax
Italy
finger
seed
lilypad
brush
record
wrist
thunder
gummy
Kirby
fire hydrant
overweight
hot dog
house
fork
pink
Sonic
street
Nasa
arm
fast
tunnel
full
library
pet shop
Yoshi
Russia
drum kit
Android
Finn and Jake
price tag
Tooth Fairy
bus stop
rain
heart
face
tower
bank
cheeks
Batman
speaker
Thor
skinny
electric guitar
belly
cute
ice cream truck
bubble gum
top hat
Pink Panther
hand
bald
freckles
clover
armpit
Japan
thin
traffic
spaghetti
Phineas and Ferb
broken heart
fingertip
funny
poisonous
Wonder Woman
Squidward
Mark Zuckerberg
twig
red
China
dream
Dora
daisy
France
Discord
toenail
positive
forehead
earthquake
iron
Zeus
Mercedes
Big Ben
supermarket
Bugs Bunny
Yin and Yang
drink
rock
drum
piano
white
bench
fall
royal
seashell
Audi
stomach
aquarium
Bitcoin
volleyball
marshmallow
Cat Woman
underground
Green Lantern
bottle flip
toothbrush
globe
sand
zoo
west
puddle
lobster
North Korea
Luigi
bamboo
Great Wall
Kim Jong-un
bad
credit card
swimming pool
Wolverine
head
hair
Yoda
Elsa
turkey
heel
maracas
clean
droplet
cinema
poor
stamp
Africa
whistle
Teletubby
wind
Aladdin
tissue box
fire truck
Usain Bolt
water gun
farm
iPad
well
warm
booger
WhatsApp
Skype
landscape
pine cone
Mexico
slow
organ
fish bowl
teddy bear
John Cena
Frankenstein
tennis racket
gummy bear
Mount Rushmore
swing
Mario
lake
point
vein
cave
smell
chin
desert
scary
Dracula
airport
kiwi
seaweed
incognito
Pluto
statue
hairy
strawberry
low
invisible
blindfold
tuna
controller
Paypal
King Kong
neck
lung
weather
Xbox
tiny
icicle
flashlight
scissors
emoji
strong
saliva
firefighter
salmon
basketball
spring
Tarzan
red carpet
drain
coral reef
nose ring
caterpillar
Wall-e
seat belt
polar bear
Scooby Doo
wave
sea
grass
pancake
park
lipstick
pickaxe
east
grenade
village
Flash
throat
dizzy
Asia
petal
Gru
country
spaceship
restaurant
copy
skin
glue stick
Garfield
equator
blizzard
golden apple
Robin Hood
fast food
barbed wire
Bill Gates
Tower of Pisa
neighborhood
lightsaber
video game
high heels
dirty
flamethrower
pencil sharpener
hill
old
flute
cheek
violin
fireball
spine
bathtub
cell phone
breath
open
Australia
toothpaste
Tails
skyscraper
cowbell
rib
ceiling fan
Eminem
Jimmy Neutron
photo frame
barn
sandstorm
Jackie Chan
Abraham Lincoln
T-rex
pot of gold
KFC
shell
poison
acne
avocado
study
bandana
England
Medusa
scar
Skittles
Pokemon
branch
Dumbo
factory
Hollywood
deep
knuckle
popular
piggy bank
Las Vegas
microphone
Tower Bridge
butterfly
slide
hut
shovel
hamburger
shop
fort
Ikea
planet
border
panda
highway
swamp
tropical
lightbulb
Kermit
headphones
jungle
Reddit
young
trumpet
cheeseburger
gas mask
apartment
manhole
nutcracker
Antarctica
mansion
bunk bed
sunglasses
spray paint
Jack-o-lantern
saltwater
tank
cliff
campfire
palm
pumpkin
elephant
banjo
nature
alley
fireproof
earbuds
crossbow
Elon Musk
quicksand
Playstation
Hawaii
good
corn dog
Gandalf
dock
magic wand
field
Solar System
photograph
ukulele
James Bond
The Beatles
Katy Perry
pirate ship
Poseidon
Netherlands
photographer
Lego
hourglass
glass
path
hotel
ramp
dandelion
Brazil
coral
cigarette
messy
Dexter
valley
parachute
wine glass
matchbox
Morgan Freeman
black hole
midnight
astronaut
paper bag
sand castle
forest fire
hot sauce
social media
William Shakespeare
trash can
fire alarm
lawn mower
nail polish
Band-Aid
Star Wars
clothes hanger
toe
mud
coconut
jaw
bomb
south
firework
sailboat
loading
iPhone
toothpick
BMW
ketchup
fossil
explosion
Finn
Einstein
infinite
dictionary
Photoshop
trombone
clarinet
rubber
saxophone
helicopter
temperature
bus driver
cello
London
newspaper
blackberry
shopping cart
Florida
Daffy Duck
mayonnaise
gummy worm
flying pig
underweight
Crash Bandicoot
bungee jumping
kindergarten
umbrella
hammer
night
laser
glove
square
Morty
firehouse
dynamite
chainsaw
melon
waist
Chewbacca
kidney
stoned
Rick
ticket
skateboard
microwave
television
soil
exam
cocktail
India
Colosseum
missile
hilarious
Popeye
nuke
silo
chemical
museum
Vault boy
adorable
fast forward
firecracker
grandmother
Porky Pig
roadblock
continent
wrinkle
shaving cream
Northern Lights
tug
London Eye
Israel
shipwreck
xylophone
motorcycle
diamond
root
coffee
princess
Oreo
goldfish
wizard
chocolate
garbage
ladybug
shotgun
kazoo
Minecraft
video
message
lily
fisherman
cucumber
password
western
ambulance
doorknob
glowstick
makeup
barbecue
jazz
hedgehog
bark
tombstone
coast
pitchfork
Christmas
opera
office
insect
hunger
download
hairbrush
blueberry
cookie jar
canyon
Happy Meal
high five
fern
quarter
peninsula
imagination
microscope
table tennis
whisper
fly swatter
pencil case
harmonica
Family Guy
New Zealand
apple pie
warehouse
cookie
USB
jellyfish
bubble
battery
fireman
pizza
angry
taco
harp
alcohol
pound
bedtime
megaphone
husband
oval
rail
stab
dwarf
milkshake
witch
bakery
president
weak
second
sushi
mall
complete
hip hop
slippery
horizon
prawn
plumber
blowfish
Madagascar
Europe
bazooka
pogo stick
Terminator
Hercules
notification
snowball fight
high score
Kung Fu
Lady Gaga
geography
sledgehammer
bear trap
sky
cheese
vine
clown
catfish
snowman
bowl
waffle
vegetable
hook
shadow
dinosaur
lane
dance
scarf
cabin
Tweety
bookshelf
swordfish
skyline
base
straw
biscuit
Greece
bleach
pepper
reflection
universe
skateboarder
triplets
gold chain
electric car
policeman
electricity
mother
Bambi
croissant
Ireland
sandbox
stadium
depressed
Johnny Bravo
silverware
raspberry
dandruff
Scotland
comic book
cylinder
Milky Way
taxi driver
magic trick
sunrise
popcorn
eat
cola
cake
pond
mushroom
rocket
surfboard
baby
cape
glasses
sunburn
chef
gate
charger
crack
mohawk
triangle
carpet
dessert
taser
afro
cobra
ringtone
cockroach
levitate
mailman
rockstar
lyrics
grumpy
stand
Norway
binoculars
nightclub
puppet
novel
injection
thief
pray
chandelier
exercise
lava lamp
lap
massage
thermometer
golf cart
postcard
bell pepper
bed bug
paintball
Notch
yogurt
graffiti
burglar
butler
seafood
Sydney Opera House
Susan Wojcicki
parents
bed sheet
Leonardo da Vinci
intersection
palace
shrub
lumberjack
relationship
observatory
junk food
eye
log
dice
bicycle
pineapple
camera
circle
lemonade
soda
comb
cube
Doritos
love
table
honey
lighter
broccoli
fireplace
drive
Titanic
backpack
emerald
giraffe
world
internet
kitten
volume
Spain
daughter
armor
noob
rectangle
driver
raccoon
bacon
lady
bull
camping
poppy
snowball
farmer
lasso
breakfast
oxygen
milkman
caveman
laboratory
bandage
neighbor
Cupid
Sudoku
wedding
seagull
spatula
atom
dew
fortress
vegetarian
ivy
snowboard
conversation
treasure
chopsticks
garlic
vacuum
swimsuit
divorce
advertisement
vuvuzela
Mr Bean
Fred Flintstone
pet food
upgrade
voodoo
punishment
Charlie Chaplin
Rome
graduation
beatbox
communism
yeti
ear
dots
octagon
kite
lion
winner
muffin
cupcake
unicorn
smoke
lime
monster
Mars
moss
summer
lollipop
coffin
paint
lottery
wife
pirate
sandwich
lantern
seahorse
Cuba
archer
sweat
deodorant
plank
Steam
birthday
submarine
zombie
casino
gas
stove
helmet
mosquito
ponytail
corpse
subway
spy
jump rope
baguette
grin
centipede
gorilla
website
text
workplace
bookmark
anglerfish
wireless
Zorro
sports
abstract
detective
Amsterdam
elevator
chimney
reindeer
Singapore
perfume
soldier
bodyguard
magnifier
freezer
radiation
assassin
yawn
backbone
disaster
giant
pillow fight
grasshopper
Vin Diesel
geyser
burrito
celebrity
Lasagna
Pumba
karaoke
hypnotize
platypus
Leonardo DiCaprio
bird bath
battleship
back pain
rapper
werewolf
Black Friday
cathedral
Sherlock Holmes
ABBA
hard hat
sword
mirror
toilet
eggplant
jelly
hero
starfish
bread
snail
person
plunger
computer
nosebleed
goat
joker
sponge
mop
owl
beef
portal
genie
crocodile
murderer
magic
pine
winter
robber
pepperoni
shoebox
fog
screen
son
folder
mask
Goofy
Mercury
zipline
wall
dragonfly
zipper
meatball
slingshot
Pringles
circus
mammoth
nugget
mousetrap
recycling
revolver
champion
zigzag
meat
drought
vodka
notepad
porcupine
tuba
hacker
broomstick
kitchen
cheesecake
satellite
JayZ
squirrel
leprechaun
jello
gangster
raincoat
eyeshadow
shopping
gardener
scythe
portrait
jackhammer
allergy
honeycomb
headache
Miniclip
Mona Lisa
cheetah
virtual reality
virus
Argentina
blanket
military
headband
superpower
language
handshake
reptile
thirst
fake teeth
duct tape
macaroni
color-blind
comfortable
Robbie Rotten
coast guard
cab driver
pistachio
Angelina Jolie
autograph
sea lion
Morse code
clickbait
star
girl
lemon
alarm
shoe
soap
button
kiss
grave
telephone
fridge
katana
switch
eraser
signature
pasta
flamingo
crayon
puzzle
hard
juice
socks
crystal
telescope
galaxy
squid
tattoo
bowling
lamb
silver
lid
taxi
basket
step
stapler
pigeon
zoom
teacher
holiday
score
Tetris
frame
garden
stage
unicycle
cream
sombrero
error
battle
starfruit
hamster
chalk
spiral
bounce
hairspray
lizard
victory
balance
hexagon
Ferrari
MTV
network
weapon
fist fight
vault
mattress
viola
birch
stereo
Jenga
plug
chihuahua
plow
pavement
wart
ribbon
otter
magazine
Bomberman
vaccine
elder
Romania
champagne
semicircle
Suez Canal
Mr Meeseeks
villain
inside
spade
gravedigger
Bruce Lee
gentle
stingray
can opener
funeral
jet ski
wheelbarrow
thug
undo
fabulous
space suit
cappuccino
Minotaur
skydiving
cheerleader
Stone Age
Chinatown
razorblade
crawl space
cauldron
trick shot
Steve Jobs
audience
time machine
sewing machine
face paint
truck driver
x-ray
fly
salt
spider
boy
dollar
turtle
book
chain
dolphin
sing
milk
wing
pencil
snake
scream
toast
vomit
salad
radio
potion
dominoes
balloon
monkey
trophy
feather
leash
loser
bite
notebook
happy
Mummy
sneeze
koala
tired
sick
pipe
jalapeno
diaper
deer
priest
youtuber
boomerang
pro
ruby
hop
hopscotch
barcode
vote
wrench
tissue
doll
clownfish
halo
Monday
tentacle
grid
Uranus
oil
scarecrow
tarantula
germ
glow
haircut
Vatican
tape
judge
cell
diagonal
science
mustard
fur
janitor
ballerina
pike
nun
chime
tuxedo
Cerberus
panpipes
surface
coal
knot
willow
pajamas
fizz
student
eclipse
asteroid
Portugal
pigsty
brand
crowbar
chimpanzee
Chuck Norris
raft
carnival
treadmill
professor
tricycle
apocalypse
vitamin
orchestra
groom
cringe
knight
litter box
macho
brownie
hummingbird
Hula Hoop
motorbike
type
catapult
take off
wake up
concert
floppy disk
BMX
bulldozer
manicure
brainwash
William Wallace
guinea pig
motherboard
wheel
brick
egg
lava
queen
gold
God
ladder
coin
laptop
toaster
butter
bag
doctor
sit
tennis
half
Bible
noodle
golf
eagle
cash
vampire
sweater
father
remote
safe
jeans
darts
graph
nothing
dagger
stone
wig
cupboard
minute
match
slime
garage
tomb
soup
bathroom
llama
shampoo
swan
frown
toolbox
jacket
adult
crate
quill
spin
waiter
mint
kangaroo
captain
loot
maid
shoelace
luggage
cage
bagpipes
loaf
aircraft
shelf
safari
afterlife
napkin
steam
coach
slope
marigold
Mozart
bumper
Asterix
vanilla
papaya
ostrich
failure
scoop
tangerine
firefly
centaur
harbor
uniform
Beethoven
Intel
moth
Spartacus
fluid
acid
sparkles
talent show
ski jump
polo
ravioli
delivery
woodpecker
logo
Stegosaurus
diss track
Darwin Watterson
filmmaker
silence
dashboard
echo
windshield
Home Alone
tablecloth
backflip
headboard
licorice
sunshade
Picasso
airbag
water cycle
meatloaf
insomnia
broom
whale
pie
demon
bed
braces
fence
orange
sleep
gift
Popsicle
spear
zebra
Saturn
maze
chess
wire
angel
skates
pyramid
shower
claw
hell
goal
bottle
dress
walk
AC/DC
tampon
goatee
prince
flask
cut
cord
roof
movie
ash
tiger
player
magician
wool
saddle
cowboy
derp
suitcase
sugar
nest
anchor
onion
magma
limbo
collar
mole
bingo
walnut
wealth
security
leader
melt
Gandhi
arch
toy
turd
scientist
hippo
glue
kneel
orbit
below
totem
health
towel
diet
crow
addiction
minigolf
clay
boar
navy
butcher
trigger
referee
bruise
translate
yearbook
confused
engine
poke
wreath
omelet
gravity
bride
godfather
flu
accordion
engineer
cocoon
minivan
bean bag
antivirus
billiards
rake
cement
cauliflower
espresso
violence
blender
chew
bartender
witness
hobbit
corkscrew
chameleon
cymbal
Excalibur
grapefruit
action
outside
guillotine
timpani
frostbite
leave
Mont Blanc
palette
electrician
fitness trainer
journalist
fashion designer
bucket
penguin
sheep
torch
robot
peanut
UFO
belt
Earth
magnet
dragon
soccer
desk
search
seal
scribble
gender
food
anvil
crust
bean
hockey
pot
pretzel
needle
blimp
plate
drool
frog
basement
idea
bracelet
cork
sauce
gang
sprinkler
shout
morning
poodle
karate
bagel
wolf
sausage
heat
wasp
calendar
tadpole
religion
hose
sleeve
acorn
sting
market
marble
comet
pain
cloth
drawer
orca
hurdle
pinball
narwhal
pollution
metal
race
end
razor
dollhouse
distance
prism
pub
lotion
vanish
vulture
beanie
burp
periscope
cousin
customer
label
mold
kebab
beaver
spark
meme
pudding
almond
mafia
gasp
nightmare
mermaid
season
gasoline
evening
eel
cast
hive
beetle
diploma
jeep
bulge
wrestler
Anubis
mascot
spinach
hieroglyph
anaconda
handicap
walrus
blacksmith
robin
reception
invasion
fencing
sphinx
evolution
brunette
traveler
jaguar
diagram
hovercraft
parade
dome
credit
tow truck
shallow
vlogger
veterinarian
furniture
commercial
cyborg
scent
defense
accident
marathon
demonstration
NASCAR
Velociraptor
pharmacist
Xerox
gentleman
dough
rhinoceros
air conditioner
poop
clock
carrot
cherry
candle
boots
target
wine
die
moon
airplane
think
pause
pill
pocket
Easter
horse
child
lamp
pillow
yolk
potato
pickle
nurse
ham
ninja
screw
board
pin
lettuce
console
climb
goose
bill
tortoise
sink
ski
glitter
miner
parrot
clap
spit
wiggle
peacock
roll
ballet
ceiling
celebrate
blind
yacht
addition
flock
powder
paddle
harpoon
kraken
baboon
antenna
classroom
bronze
writer
Obelix
touch
sensei
rest
puma
dent
shake
goblin
laundry
cloak
detonate
Neptune
cotton
generator
canary
horsewhip
racecar
Croatia
tip
cardboard
commander
seasick
anthill
vinegar
hippie
dentist
animation
Slinky
wallpaper
pendulum
vertical
chestplate
anime
beanstalk
survivor
florist
faucet
spore
risk
wonderland
wrestling
hazelnut
cushion
W-LAN
mayor
community
raisin
udder
oyster
sew
hazard
curry
pastry
mime
victim
mechanic
hibernate
bouncer
Iron Giant
floodlight
pear
sad
paw
space
bullet
skribbl.io
shirt
cow
worm
king
tea
truck
pants
hashtag
DNA
bird
Monster
beer
curtain
tire
nachos
bear
cricket
teapot
nerd
deaf
fruit
meteorite
rice
sniper
sale
gnome
shock
shape
alligator
meal
nickel
party
hurt
Segway
Mr. Bean
banker
cartoon
double
hammock
juggle
pope
leak
room
throne
hoof
radar
wound
luck
swag
panther
flush
Venus
disease
fortune
porch
machine
pilot
copper
mantis
keg
biology
wax
gloss
leech
sculpture
pelican
trapdoor
plague
quilt
yardstick
lounge
teaspoon
broadcast
uncle
comedian
mannequin
peasant
streamer
oar
drama
cornfield
carnivore
wingnut
vent
cabinet
vacation
applause
vision
radish
picnic
Skrillex
jester
preach
armadillo
hyena
librarian
interview
sauna
surgeon
dishrag
manatee
symphony
queue
industry
Atlantis
excavator
canister
model
flight attendant
ghost
pig
key
banana
tomato
axe
line
present
duck
alien
peas
gem
web
grapes
corn
can
fairy
camel
paper
beak
corner
penny
dig
link
donkey
fox
rug
drip
hunter
horn
purse
gumball
pony
musket
flea
kettle
rooster
balcony
seesaw
stork
dinner
greed
bait
duel
trap
heist
origami
skunk
coaster
leather
socket
fireside
cannon
ram
filter
alpaca
Zelda
condiment
server
antelope
emu
chestnut
dalmatian
swarm
sloth
reality
Darwin
torpedo
toucan
pedal
tabletop
frosting
bellow
vortex
bayonet
margarine
orchid
beet
journey
slam
marmalade
employer
stylus
spoiler
repeat
tiramisu
cuckoo
collapse
eskimo
assault
orangutan
wrapping
albatross
mothball
evaporate
turnip
puffin
reeds
receptionist
impact
dispenser
nutshell
procrastination
architect
programmer
bricklayer
boat
bell
ring
fries
money
chair
door
bee
tail
ball
mouse
rat
window
peace
nut
blush
page
toad
hug
ace
tractor
peach
whisk
hen
day
shy
lawyer
rewind
tripod
trailer
hermit
welder
festival
punk
handle
protest
lens
attic
foil
promotion
work
limousine
patriot
badger
studio
athlete
quokka
trend
pinwheel
gravel
fabric
lemur
provoke
rune
display
nail file
embers
asymmetry
actor
carpenter
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apple
hat
sun
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cat
cup
train
bunny
sound
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barrel
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weasel
invention
lynx
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zeppelin
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slump
Capricorn
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prune
stress
crucible
hitchhiker
election
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hair roller
pistol
cone
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lock
hanger
cap
Mr. Meeseeks
comedy
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diva
patio
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barbarian
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betray HUH SO HARD
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Kim Larsen - Susan Himmelblå - YouTube

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